David Udell’s ‘It’s Worth It’ is a wonderfully weird pop/psych-rock concoction that bubbles with an expansive, really cool ’70s vinyl euphoria.

Brainiac 5’s new album ‘Memory or Dream’ is wonderful ’60s and ’70s stuff that has been tugged and transported into our modern world. But with a twist.

With ‘How I Learned to Love the Freaks,’ Vinny Peculiar emerges from the hazy smoke of late-’60s youth counter-culture with a clever psych-rock album.

With its genre-defying songs, Joshua Burnell’s ‘Glass Knight’ returns us to a time when folk, pop and rock blended into a clever tapestry.

A re-imagined and expanded update of Tomorrow’s classic debut from stalwart Yes guitarist Steve Howe toughens their psych-rock groove.

Released 50 years ago this week, ‘Nuggets: Original Artyfacts’ seemed dated and raw, but that’s what turned it into such an influential compilation.

Zan Zone’s ‘Start Where You Stand’ is an often Wishbone Ash-esque guitar-rock album that just gets things right.

Bethlehem Asylum’s two early-’70s Ampex albums offer a wonderfully weird look back into the musical mayhem once found in hip record-store racks.

Jovian Tea’s new single is a masterstroke of paisley-powered whimsy, recalling a mingling between ‘Emotions’-era Pretty Things and early Pink Floyd.

Drug Couple’s new album ‘Stoned Weekend’ is definitive proof that, in several parallel universes, “strawberry fields” are indeed “forever.”