Nearly a year after releasing a celebrated collaboration with fellow prog legend Chris Squire of Yes, Steve Hackett says another album could be in the offing. The former Genesis guitarist says it just a matter of scheduling. You May Also Like: Steve Hackett on ‘Night Siren,’ Chris Squire’s Legacy andRead More

Nik Turner joined us to discuss his history with Hawkwind, a passion for fusion, and why even today the offbeat saxist still busks for loose change.

After a busy summer of touring, both with Yes and with his solo group, Steve Howe plans to share some of what he’s learned in five decades of music making during his first-ever Cross Styles music camp, to be held in August. You May Also Like: No related posts.

Tony Levin and Peter Gabriel have become inextricably linked, something that was underscored by the bassist’s recent appearances on the anniversary tour celebrating 1986’s So. They didn’t have a very auspicious meeting, however. You May Also Like: King Crimson moved far afield on Discipline, but didn’t forget its roots TonyRead More

There’s a reason Deep Purple never previewed any of the new music on What Now?!, despite appearing in such high profile settings as the Dubai Jazz Festival in the run up to their forthcoming LP’s April 30, 2013 release. You May Also Like: No related posts.

Ray Wilson is, of course, best known for his work with Genesis — having fronted the band for its final studio release in 1997. He’ll also appear with Steve Hackett on the guitarist’s Genesis Revisited tour. You May Also Like: It’s time to give Genesis’ Calling All Stations, ex-frontman RayRead More

One For Sorrow, Two For Joy is the fifth record by UK/Swedish progateers Thieves’ Kitchen, a band that’s been around since ’99 but hadn’t gotten perhaps the notice here in the States they’ve enjoyed in their local European environs. Here’s a strong bid for wider recognition. You May Also Like:Read More

Chris Squire and Billy Sherwood, it seemed, had an immediate spark. Unfortunately, Yes just kept getting in the way.

For years now, Bob Ezrin’s overwrought initial work with Kiss — in particular, the career-killing 1981 concept-album dud (Music from) The Elder, was thought to have been his worst idea ever. Not even close. You May Also Like: No related posts.

Keith Emerson remembers Emerson Lake and Palmer playing before crowds that would swell into the 10s, even 100s of thousands, then buzzing off by plane to play before another. Though, he admits, he doesn’t remember it very fondly. You May Also Like: Did Emerson Lake and Palmer almost lose KeithRead More