Post Tagged with: "Progressive Rock"

Peter Banks, Sonja Kristina + Billy Sherwood, "Winter Time" from Fly Like an Eagle (2013): One Track Mind

Peter Banks, Sonja Kristina + Billy Sherwood, “Winter Time” from Fly Like an Eagle (2013): One Track Mind

In yet another guest-packed project, the Billy Sherwood-produced Steve Miller tribute Fly Like an Eagle finds a special resonance with the inclusion of more final music from Peter Banks. You May Also Like: Todd Rundgren, Billy Sherwood + Others – ‘A Tribute to Keith Emerson and Greg Lake’ (2020)

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‘Well, the others aren’t here yet’: Ian Anderson on how his solo work evolved out of Jethro Tull

Ian Anderson says the impulse to work as a solo artist — something that led to his release of Thick as a Brick 2 without the Jethro Tull label — goes all the way back to the sessions for 1971’s Aqualung. You May Also Like: Jethro Tull – ‘The ZealotRead More

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How Yes Legend Chris Squire Almost Helmed Rush’s ‘Grace Under Pressure’

Did Yes’ Chris Squire — a notable influence on bassist Geddy Lee — almost end up producing Rush’s Grace Under Pressure back in 1984? In a new Q&A posted at Yes’ official site, Squire says he was part of a group of potential candidates to helm the project that alsoRead More

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‘We’d try little notes that you wouldn’t normally’: Tony Banks on Genesis’ early classic “The Musical Box”

Tony Banks goes in-depth on “The Musical Box” from 1971’s Nursery Cryme. Credited to each of Genesis’ five members, it remains one of the band’s most layered and satisfying early compositions. You May Also Like: No related posts.

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‘Of course, it was a real shock’: Greg Lake on the iconic cover image of King Crimson’s debut album

Nearly 45 years later, the cover of King Crimson’s ground-breaking debut album is understood to be a genre-defining prog classic — and the personification of the project’s signature song, “21st Century Schizoid Man.” You May Also Like: Why King Crimson’s Biggest Hit LP Was ‘So Fully Formed, But Also SoRead More

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Something Else! sneak peek: Mike and the Mechanics, “Get Up” (2013)

“Get Up,” a newly shared follow up to Mike and the Mechanics’ 2011 release The Road, is intriguing in that it doesn’t at first sound like Genesis or, for that matter, Mike and the Mechanics. You May Also Like: How Mike and the Mechanics’ ‘The Living Years’ Helped Bridge anRead More

S. Victor Aaron’s Mid-Year Best of 2013 (Fusion Jazz): John Scofield, Rock Candy Funk

S. Victor Aaron’s Mid-Year Best of 2013 (Fusion Jazz): John Scofield, Rock Candy Funk

“Fusion jazz” is one of my favorite genres because it can encompass the intelligent, episodic prog rock of Guapo, forward-thinking world fusion of Maira Marquez or plain fun instrumental music of Rock Candy Funk Party. You May Also Like: Scary Goldings, feat. John Scofield – ‘IV’ (2021)

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Something Else! Interview: Tangerine Dream’s Edgar Froese on stars, Brian May and defying categorization

Over a period of ever-shifting lineups, Edgar Froese has remained the stalwart mastermind of Tangerine Dream — always pushing the envelope, always searching for that next sound. The latest ones come from deep, deep space You May Also Like: No related posts.

Steve Hackett, John Wetton, Ian McDonald, others - Tokyo Tapes (1998; 2013 reissue)

Steve Hackett, John Wetton, Ian McDonald, others – Tokyo Tapes (1998; 2013 reissue)

A remastered reissue of the 2DVD/CD Tokyo Tapes — bolstered now with a new studio recording of Steve Hackett and John Wetton doing “All Along the Watchtower” — seeks to provide insights into both Genesis and King Crimson. You May Also Like: No related posts.

Emerson Lake and Palmer's "Endless Enigma," "Take a Pebble" + Others: Deep Cuts

Emerson Lake and Palmer’s “Endless Enigma,” “Take a Pebble” + Others: Deep Cuts

For a trio whose biggest single barely scratched the Top 40, Emerson Lake and Palmer still came to be associated with several key moments. Let’s go deeper.