Steve Howe Made a Colorful, Quite Surprising Debut With Tomorrow
Released 55 years ago this month, the self-titled debut by Yes stalwart Steve Howe’s old band Tomorrow is one of the best of its psychedelic kind.
Released 55 years ago this month, the self-titled debut by Yes stalwart Steve Howe’s old band Tomorrow is one of the best of its psychedelic kind.
Prog Collective’s ‘Seeking Peace’ wobbles and rolls through melodic twists and turns, avoiding many of the current cliches of neo-progressive rock.
John M. Gouldin breaks down five less-heralded albums Yes released between 1996-2001, concluding with Jon Anderson’s swan song ‘Magnification.’
Ashley Davies’ new album is a grand piece of mostly instrumental music that searches for gold and somehow manages to deliver melodic mythological mystery.
This well-recorded 2022 concert from the Bath Forum finds Peter Hammill and Van Der Graaf Generator in superb vocal and instrumental form.
John M. Gouldin breaks down five less-heralded albums Yes released between 1996-2001, continuing with 1997’s ‘Open Your Eyes.’
Thomas Truax’s ‘Dream Catching Songs’ thrillingly spins with gadgets, weird combustions, Budgie the drummer, urgent electric guitar and the odd idea or two.
Is this jazz? Is this rock? Is this “progressive” – and if so, what does that mean? Tobin Mueller and Kansas lead us back into an age-old discussion.
John M. Gouldin is breaking down five less-heralded albums Yes released between 1996-2001, beginning with the ‘Keys to Ascension’ projects.
Released 50 years ago, Pink Floyd’s ‘Dark Side of the Moon’ was from a different time – and from a very different place. A long while passed before I grew into it.