Returning to One of Yes’ Most Overlooked Eras: ‘Magnification’
John M. Gouldin breaks down five less-heralded albums Yes released between 1996-2001, concluding with Jon Anderson’s swan song ‘Magnification.’
Post Tagged with: "Progressive Rock"
Ashley Davies – ‘Gold’ (2022)
Ashley Davies’ new album is a grand piece of mostly instrumental music that searches for gold and somehow manages to deliver melodic mythological mystery.
Van Der Graaf Generator – ‘The Bath Forum Concert’ (2022)
This well-recorded 2022 concert from the Bath Forum finds Peter Hammill and Van Der Graaf Generator in superb vocal and instrumental form.
Returning to One of Yes’ Most Overlooked Eras: ‘Open Your Eyes’
John M. Gouldin breaks down five less-heralded albums Yes released between 1996-2001, continuing with 1997’s ‘Open Your Eyes.’
Thomas Truax – ‘Dream Catching Songs’ (2023)
Thomas Truax’s ‘Dream Catching Songs’ thrillingly spins with gadgets, weird combustions, Budgie the drummer, urgent electric guitar and the odd idea or two.
Tobin Mueller – ‘Prestidigitation’; Kansas – ‘Another Fork in the Road’ (2022)
Is this jazz? Is this rock? Is this “progressive” – and if so, what does that mean? Tobin Mueller and Kansas lead us back into an age-old discussion.
Returning to One of Yes’ Most Overlooked Eras: ‘Keys to Ascension’ + ‘Keys to Ascension 2’
John M. Gouldin is breaking down five less-heralded albums Yes released between 1996-2001, beginning with the ‘Keys to Ascension’ projects.
How I Finally Fell For Pink Floyd’s ‘Dark Side of the Moon’
Released 50 years ago, Pink Floyd’s ‘Dark Side of the Moon’ was from a different time – and from a very different place. A long while passed before I grew into it.
The Dark Monarchy’s ‘Chiaroscuro’: Track by Track With Mark Anthony K and Joe Bailey
Mark Anthony K and Joe Bailey once again join Preston Frazier, this time to discuss the Dark Monarchy’s new album ‘Chiaroscuro.’
‘Memories of a White Magician’ and ‘Lady Macbeth’ by Jon Symon’s Warlock
Jon Symon’s Warlock proved over three criminally under-appreciated early-’80s albums that Claude Debussy was right when he said “music is the space between notes.”
