Something Else! sneak peek: MoeTar, “Regression to the Mean” from Entropy of the Century (2014)
Does a song have to be repetitive and elementary to work? MoeTar says: No.

Does a song have to be repetitive and elementary to work? MoeTar says: No.

They’ve created an album that’s both emotionally open, and a wonder of intricate control.
A key element to the album continues to resonate, Nick Mason says.

“Rubber Sky” is an example of this wonderful trait of Mats/Morgan, who merrily obliterate fences put up in music not just across genres, but across age groups as well.

‘Battle Lines’ found John Wetton beginning anew as a solo artist after an on-again, off-again initial period with Asia.

The advance single from Ian Anderson’s Gerald Bostock-themed ‘Homo Erraticus’ shows he’s still got the musical goods.

Carl Palmer now says he’s the one who halted a larger Emerson Lake and Palmer reunion after the High Voltage Festival in 2010.

There’s a reason most prog albums leave the epic song for the end, as Marillion’s 17th album made clear.
It took a little talent, and a lot of luck, for Pink Floyd’s “Great Gig in the Sky” to come together. You May Also Like: Pink Floyd, “Wearing the Inside Out” from ‘Division Bell’ (1994): One Track Mind

Jon Davison’s heavy workload with Yes has kept him busy crisscrossing the globe performing a trio of the band’s 1970s-era albums. So where does that leave Glass Hammer? You May Also Like: No related posts.