Daryl Hall has said he and Robert Fripp were trying to combine sounds from two different cultures to “form a third kind of music.” They did.

“Wolflight” is a colloquialism for the time just before dawn, when the world is rousing itself. Steve Hackett seems to be similarly coming alive again.

Combine David Gilmour’s “Out of the Blue” – released March 27, 1984 – with the best of The Final Cut, and you’d get the next great Pink Floyd album.

Carl Palmer talks about the decision to reformulate Emerson Lake and Palmer songs with guitar-focused arrangements for ELP Legacy.

David Gilmour nixed the idea of touring behind Pink Floyd’s ‘The Endless River’ early on and, in time, Nick Mason has come to understand why.

Why did Uriah Heep fall off the radar? These travelers in time continue to grow in a career now well into four decades and counting.

We return for a glorious run through the 40th anniversary reissue of King Crimson’s ‘Larks’ Tongues in Aspic,’ originally released on March 23, 1973.

Deep Purple has always been known for its explorative improvisational journeys, something that led frontman Ian Gillan to a hilarious distraction.

“Locomotive Breath,” released this week back in 1971, seemed like Jethro Tull’s most coherent, successful synthesis yet. It was actually pieced together.

The What-ing What Project? Perhaps no figure in rock music been simultaneously so famous and so … anonymous … as Alan Parsons.