An unlikely yet enduring deep cut, “Hold On” finds Yes at the height of its stadium-rock power.

Yes should have made “Tempus Fugit,” a gem among gems, the focus track on 1980’s ‘Drama.’

A re-tooled Yes continued to test their boundaries with “Run Through the Light” from 1980’s ‘Drama.’

Yes has never sounded more like a cohesive unit than they do on “Into the Lens,” from 1980’s underrated ‘Drama.’

After a late-career surge, more than a few bands would be temped to coast on their good fortune. Not Deep Purple.

Steve Hackett ups the ante on ‘The Night Siren’ with a combination of stunning world music, progressive epics, and guitar playing second to no one.

“Does It Really Happen,” a stand-out cut from 1980’s ‘Drama,’ finds a rebuilt Yes sounding as vibrant and relevant as ever.

Yes’ ‘Man in a White Car’ has new wave edge that made it both a fitting piece for 1980’s ‘Drama,’ and also a weirdly engaging live piece.

Mark Anthony K talks to Preston Frazier about the new Projekt Gemineye project, and how a discarded guitar changed his musical life.

Preston Frazier caught up with Steve Hackett as the former Genesis guitarist prepares to release ‘The Night Siren.’