Mike Tiano calls out ‘Weekly Standard’ columnist Ike Brannon for a misleading piece on Yes, the Replacements and the Rock and Roll Hall of Fame.

While it’s good, Yes’ Steve Howe-played and -produced “Masquerade” seems like an unusual song to receive a Grammy nomination.

“I Would Have Waited Forever” kicks off a pieced-together so-called collaboration with four former key members, but they never actually played with Yes in the studio.

The Moody Blues have an unusual hold over fans, with many believing the group has mystical, otherworldly powers. And maybe they do.

Even in my jazz-centric world, I can come upon enough standout non-jazz records to put together a decent-sized Best of 2017 list.

Projekt Gemineye’s ‘A Brand New Day’ is a great continuation of 2017’s ‘An Ordinary Day,’ with a more guitar-centered progressive hard-rock core.

The groundbreaking Left Banke boldly expanded on the classical rock concept, paving the way for bands like Procol Harum and the Moody Blues.

Mark Anthony K joins Preston Frazier to discuss Projekt Gemineye’s ‘A Brand New Day,’ the second installment of a song cycle that began with 2017’s ‘An Ordinary Day.’

“I’m Running,” the penultimate song on Yes’ 1987 album ‘Big Generator,’ steps out of the arena haze with an interesting but not totally successful gambit.

Preston Frazier counts down his list of Best Live / Reissues of 2017, touching on favorites from Bob Dylan, Yes and Richard Thompson, among others.