Is it jazz-rock fusion or just instrumental jam-rock? Such descriptions are superfluous when the music connects as ‘Let It Wander’ by Circles Around The Sun does.

Preston Frazier offers his take on the best albums of 2018 (so far), with tips of the hat to Neal Morse, Parliament, Take 6 and others.

“Holding On” doesn’t quite reach Yes greatness – ironic, given the song is packed full of so many production tricks.

Martin Popoff manages to make the often-written-about story of Pink Floyd new again. That’s quite an accomplishment in itself.

Carl Palmer discusses how ELP Legacy is boldly refashioning the Emerson Lake and Palmer catalog, and what the future holds for Asia after John Wetton’s death.

The list is by no means exhaustive or definitive: Most people have their own personal choices for what they consider to be great lost recordings.

Billy Sherwood’s future impact on Yes comes into focus with “The More We Live – Let Go,” his first collaboration with Chris Squire.

Robbie Dupree, Chicago and Peter Banks are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

Another collaboration between Anderson Bruford Wakeman Howe and Yes producer Jonathan Elias is torpedoed by questionable decisions.

The first two minutes of “Miracle of Life” are pure prog joy. Then, as with so much of Yes’ pieced-together 1991 album ‘Union,’ something goes wrong.