Yes, “Life On a Film Set” from ‘Fly From Here’ (2011): YESterdays
The original version of this Geoff Downes / Trevor Horn composition offers one of my favorite vocals from Yes’ departed third frontman Benoit David.
The original version of this Geoff Downes / Trevor Horn composition offers one of my favorite vocals from Yes’ departed third frontman Benoit David.
In its own wise way, Jon Anderson’s guest-filled, often quietly involving new solo album ‘1000 Hands’ sails pretty darn “close to the edge.”
Todd Rundgren’s Utopia, Jon Anderson, Gary Husband and Markus Reuter are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.
Well crafted, melodic and utterly engaging, yet musically and lyrically challenging, ‘McStine & Minnemann’ almost defies description.
When ‘Fly From Here’ was released, I remember my excitement that Yes was still capable of transcending barriers which would have stopped other bands.
Steve Matteo discussed a new box focusing on Pink Floyd’s 1987-2019 output with engineers Andy Jackson and Damon Iddins, and designer Aubrey Powell.
“Program” seems to be a perfect start to McStine and Minnemann, who rose to separate fame with the Aristocrats and Lo-Fi Resistance.
Roye Albrighton’s dearly missed, but Nektar is still very much alive, very well, and still a band who can conjure the magic of ’70s-era prog rock.
Sky deftly bridged genres, including classical and rock, yet somehow their music has nearly disappeared from minds and playlists.
Yes seemed to be marking the turning of a page – and, in a very real way, they were: “Time is Time” became a wonderful end for co-founder Jon Anderson.