Roye Albrighton’s dearly missed, but Nektar is still very much alive, very well, and still a band who can conjure the magic of ’70s-era prog rock.

Sky deftly bridged genres, including classical and rock, yet somehow their music has nearly disappeared from minds and playlists.

Yes seemed to be marking the turning of a page – and, in a very real way, they were: “Time is Time” became a wonderful end for co-founder Jon Anderson.

While not as adventurous as the preceding “Dreamtime,” this simply fantastic ballad is executed with the level of finesse expected from Yes.

‘A Tribute to Keith Emerson and Greg Lake’ once again opens doors of nice colors, better words, weird and interesting stuff, and quasi-intellectual ideas.

Ross Boissoneau caught up with Todd Rundgren for a discussion on growing as an artist, learning through listening, and shared musical experiences.

Mike Tiano recalls when Yes guitarist Steve Howe incorporated one of his ideas into the set during the band’s 2001 symphonic tour.

Despite its lyrical and production faults, “Dreamtime” is the one of the boldest statements on Yes’ ‘Magnification.’

A lot of thoughts flooded my head when I started listening to the new Billy Sherwood-helmed ‘Tribute to Keith Emerson and Greg Lake.’

Celebrating the upcoming anniversary of Pink Floyd’s often-overlooked ‘Atom Heart Mother,’ a transitional album that’s significant for what it started.