How Yes Finally Saved ‘Drama’ From Unjust Obscurity
Released 40 years ago this week, ‘Drama’ served as a bridge between Yes’ ’70s-era prog sound and the approachable prog-pop from the decade to follow.
Released 40 years ago this week, ‘Drama’ served as a bridge between Yes’ ’70s-era prog sound and the approachable prog-pop from the decade to follow.
Trevor Rabin, Nir Felder, Judith Owen are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.
No dusty throwbacks, Mandoki Soulmates push prog into a very here-and-now wide-open throttle with two sweeping new albums.
Days Between Stations’ ‘Giants’ is sublime prog rock that ignites brain synapses back into a life they only knew in the heyday of 1974’s melodic maelstrom.
This melodically pulsating, accessible yet clearly progressive song incorporates the strength of each Yes man, but doesn’t try to recreate the past.
Baltimore-based prog and jazz guitarist Mark Papagno joins Ross Boissoneau to discuss albums by Yes, Allan Holdsworth and David Sylvian.
Yes included a completely new song when they returned to ‘Fly From Here’ in 2018, but I wouldn’t recommend buying it just for “Don’t Take No For an Answer.”
Rick Wakeman’s ‘The Red Planet’ is a grand musical gesture that descends slowly on analog winds and is buoyed by a progressive rock ‘n’ roll parachute.
Let’s sort through Yes’ Steve Howe-written song “Hour of Need,” which went through a myriad of versions between 2005 and 2018.
A fresh glance at melodic progressive-rock music, Staring Into Nothing’s ‘Love’ reveals a wondrous waterfall of beauty on repeated spins.