James Booth and the Return – ‘An American Warlock in Holywood’ (2024)
California-based James Booth and the Return are back with another eclectic full-length album that mixes prog, jam, and psychedelic rock.
California-based James Booth and the Return are back with another eclectic full-length album that mixes prog, jam, and psychedelic rock.
Cheer-Accident’s ‘Vacate’ is an “easy listening” record from an art rock band that deserves close listening.
Pink Floyd’s ‘The Wall’ arrived 45 years ago this week with a resonant, sharply drawn track that summed up its theme. Too bad Roger Waters kept going.
“Jazz-rock” often implies nothing more than clever technique, but Coincidence cross-pollinates with moments of great prog – and that’s even better.
Released 10 years ago this week, Pink Floyd’s determinedly uncommercial ‘The Endless River’ reminded us just how fantastically weird they once were.
Released 55 years ago, King Crimson’s ‘In the Court of the Crimson King’ offered a dark burst of seminal progressive rock that presupposed a new rock trend.
Mile Marker Zero’s ‘Coming of Age’ is a great modern progressive rock record that recalls the musical joys of another era.
Dave Bainbridge may be the best progressive rock keyboardist that’s flown under your radar.
Already given countless accolades, Jon Anderson and the Band Geeks’ ‘True’ is truly an album for Yes fans everywhere.
A new reissue of ‘Out-Pop Options’ and ‘Any Questions?’ from Carl Weingarten’s Delay Tactics shows that great prog music survived 1977’s big punk asteroid.