Mike Keneally’s chief idiom is progressive rock, but his restless creativity leads to guitar solos that shape shift. That’s why I can listen to him all day long.
Boasting a stark yet approachable feel, Fernando Perdomo’s ‘Clouds 2’ quickly distinguishes itself from ‘Clouds’ and the preceding ‘Waves’ series.
New drummer Asaf Sirkis didn’t remake Soft Machine in his image but adds a piece that helps to keep a band started in 1966 viable in 2026 with their newest studio album ‘Thirteen.’
The re-release of Joe Chambers’ ‘Double Exposure’ should provoke a long overdue re-examination of a career that touched on several turning points in jazz using multiple talents.
Here’s why Preston Frazier says albums from Steve Porcaro, Vernon Reid, Fernando Perdomo and others are the Best of 2025 Pop and Rock.
Preston Frazier’s Best of 2025 Reissues include projects featuring Yes, Steve Winwood, Joe Walsh and Tim Morse, among others.
Talented multi-instrumentalist Fernando Perdomo brings his epic year-long Waves series to a rewarding conclusion with the release of ‘Waves 12.’
Released 55 years ago this month, the sophomore album ‘Trespass’ offered the first hints at where Genesis would go.
Fernando Perdomo’s year-long ‘Waves’ series reaches the 100-song milestone, and a bit of a quandary.
Mike Tiano remembers Genesis’ 1975 performance at the Shrine Auditorium in Los Angeles, featured in the new reissue of ‘The Lamb Lies Down on Broadway.’
