“I See You” hints at the wide-screen experimentation to come for Yes, though in this early incarnation they tend more to psychedelia than prog.

‘Introducing Katie Thiroux’ could have been a sterling vocal showcase, or an intriguing intrumental project. Luckily for us, it ends up being both.

The opening cut on Toto’s 1978 self-titled debut set the stage musically. All that remained was to bring Bobby Kimball on for his first vocal turn.

Preston Frazier’s new Yes series starts with their debut album’s opening cut — and, already, they are hinting at great things to come.

“Child’s Anthem” kicks off Toto’s perfectly constructed, musically all-encompassing debut — as well as Preston Frazier’s new feature, Toto Tuesdays.

The Leslie Johnson Project finds this formidable Texas talent making passionate, funky and forward-leaning music firmly rooted in jazz and funk.

If the Revolution Saints’ sound is familiar, there’s a reason. This is a trio of arena rock’s most talented players — and they live up to that legacy here.

The Jackson Browne-produced “Mohammed’s Radio” helped introduce Warren Zevon — with a key assist from Lindsey Buckingam and Stevie Nicks.

When I heard the Big Sexy’s theme song of comedian J-L Cauvin, I was intrigued. Figuring out who actually performed it was another matter.

Preston Frazier discusses Billy Sherwood’s best contributions to prog and pop, both with Yes and with stars like Paul Rodgers and William Shatner.