Yes, “Foot Prints” from ‘Keys to Ascension 2’ (1997): YESterdays
The fact that Yes’ ‘Keys to Ascension 2’ wasn’t a hit is more due to the changing music environment that the material.
The fact that Yes’ ‘Keys to Ascension 2’ wasn’t a hit is more due to the changing music environment that the material.
Preston Frazier’s jazz-focused survey of Best of 2018 albums includes Mark Wade, Chris Carver, Peter Erskine and Stanley Clarke, among others.
“What Child Is This” demonstrates that Bill Champlin’s greatest contribution to Chicago was his arrangement acumen.
“Goin’ Home,” a driving, anthemic track, was once deemed not good enough by Toto’s record company. What do they know?
It was quite a year for fans of Yes, as Preston Frazier’s Best of 2018 list for box sets and reissues shows.
Face it, most Christmas albums are crap. William Shatner’s recent release ‘Shatner Claus’ bucks the trend.
Nick Finzer’s Hear and Now celebrates the 50th anniversary of Chick Corea’s classic ‘Now He Sings, Now He Sobs,’ issued in December 1968.
At its best, ‘Yesterday and Today: The Yes 50th Anniversary Album’ isn’t just a recreation of the originals; it’s an imaginative retelling.
If this had been included on an album of all-new material, rather than on a hybrid studio/live Yes project, perhaps it would have garnered more recognition.
“Blackeye,” a bonus cut from Toto’s ‘Tambu’ era, sounds as if it was intended for a Tina Turner album.