“Blackeye,” a bonus cut from Toto’s ‘Tambu’ era, sounds as if it was intended for a Tina Turner album.

‘A Life in Yes: The Chris Squire Tribute’ was conceived, produced, recorded and mixed by Squire’s friend and hand-picked replacement Billy Sherwood.

“Be the One” was a strong start to what should have been the opening song for a new Yes studio album.

Lucas Lee discusses working with Marco Minnemann, his personal creative arc and stand-out album tracks from ‘Lowered Expectations.’

Projekt Gemineye returns with six daring songs that recall the heady days when bands like Rush and Yes ruled the musical landscape.

Warren Wiebe’s demos are so well produced and expertly recorded that it’s usually hard to believe they aren’t actually finished songs.

Built around rock and pop covers, ‘Soul Fingers’ is a showcase for Bobby Broom’s tone, economy and arranging prowess.

Jorge Calderon’s straight-forward ‘Blue Rhythm Highway’ forgoes studio trickery and flash in favor of strong songs and solid playing.

Johannes Wallmann and a group of old musical friends are set to breathe life into an album of mostly standards, beginning with “Nocturne.”

A stalwart with Kenny Loggins and Don Felder, Shem von Schroeck has one lasting goal: He hopes to be Toto’s “last bass player.”