There’s something rather unusual about the three bonus tracks found on the reissue of 1980’s ‘Chicago XIV’: They are all good.

“Spectrum” is bright, dynamic and mystifying. What else would you expect from Hiromi?

Dave Kerzner joined Preston Frazier to discuss a new live interpretation of ‘Static,’ the mystery band he’s set to collaborate with next, and more.

Ben Levin, Making Movies and Mai Leisz are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

Don Breithaupt joins Preston Frazier to discuss ‘Friday,’ Monkey House’s long-awaited follow up to 2016’s ‘Left.’

This album-closing song actually makes a great jumping off point for then-new two-guitar version of Yes.

Preston Frazier’s mid-year new music survey includes Best of 2019 candidates Bernard Fowler, Grupo Fantasma and Oz Noy, among others.

Unlike the preceding track on Toto’s ‘Mindfields,’ “Selfish” succeeds because it gets to the musical point without wasting a note.

Combining fragments from Jon Anderson with contemporary Billy Sherwood production touches, Yes’ “Somehow, Someday” works on several levels.

The first-ever vinyl reissue of James Taylor’s ‘One Man Band’ live album prompts a re-evaluation.