Doublepluspop – ‘Too Loud, Too Fast, Too Much’ (2021)
There is power pop – and then there is POWER POP. Just by this band’s name, it is obvious what side Doublepluspop’s bread is buttered on.
There is power pop – and then there is POWER POP. Just by this band’s name, it is obvious what side Doublepluspop’s bread is buttered on.
A fantastic album from top to bottom, ‘One Bar Left’ continually spotlights Arthur Alexander’s allegiance to authentic rock ‘n’ roll.
‘Bad Times Good Times’ ably illustrates Sorrow’s forte for playing the melodically structured guitar pop linked with groups like Raspberries and Blue Ash.
Emerging from the same gene pool as bands like the Byrds, Shoes and Teenage Fan Club, the Boys With the Perpetual Nervousness are masters of jangle pop.
Ken Sharp kicks off 2021 with a song expressing the fear, anger and confusion we’ve all felt as COVID-19 wreaked havoc on our lives.
If you weren’t aware of the copyright date of ‘Diamond Hands,’ you could easily be hoodwinked into thinking it is a long lost George Harrison project.
Quincy has returned with a highly enjoyable set of songs that rank as a sensible extension to the unfulfilled promise of their debut album.
Ranking as perhaps the Knack’s greatest album, ‘Round Trip’ sadly failed to make the impact it so rightfully deserved.
After decades of honing their skills on the covers circuit, the Overtures have channeled their instincts into something bright and bountiful.
Heavy on mouth-watering melodies, arresting licks and clear and confident vocals, Gary Ritchie’s ‘Head On a Swivel’ brings back the fun in pop music.