Sometimes, both quality and quantity is possible: Hammond B3 commander Jared Gold has been punctually making a record a year since 2008. You May Also Like: Dave Stryker Trio + Bob Mintzer – ‘Groove Street’ (2024) Dave Stryker – Strykin’ Ahead (2017)

With the exception of John Medeski, there are aren’t a whole lot of Hammond B3 players as imaginative as Brian Charette. And even Medeski didn’t come up with the idea to put his B3 alongside a four-part horn section like Charette did a couple of years back. You May AlsoRead More

Two years after Heads of Tales , a searing date backed by Jared Gold, Mark Ferber and David Allen, tenor saxman Tom Tallitsch returns with another strong crew for Ride You May Also Like: Tom Tallitsch – Gratitude (2016) Tom Tallitsch – ‘Message’ (2021)

Jazz Messengers-alum and sideman trombonist of choice Steve Davis makes his fourth Posi-Tone disc For Real yet another enjoyable collection of no-bullshit, genuine hard bop. You May Also Like: No related posts.

Coming over to the Posi-Tone label for his latest creation was bound to mean that the restless funk-jazz guitarist Will Bernard was going to make a different kind of record…again. You May Also Like: Brian Charette – Once & Future (2016) Tom Tallitsch – Gratitude (2016)

Saxophonist Nick Hempton follows up on his sharp, post-bop effort The Business with another polished gem of the jazz form, Odd Man Out. You May Also Like: No related posts.

Born in NYC, pianist and composer Jon Davis came back to his hometown in the early 90s only after stops at the New England Conservatory, Boston and San Francisco. You May Also Like: Tom Tallitsch – Gratitude (2016)

It’s clear from his latest recorded offering Bridges that the pianist and composer David Ake has a lot to say musically, but this being only his third record over a period of fifteen years, he hasn’t had much time to say it. You May Also Like: David Ake – HumanitiesRead More

If, as they say, the third time’s the charm, what does that make the fourth time? If it’s concerning a collaboration by tenor saxophonist Ken Fowser and vibraphonist Behn Gillece, it’s even more so the charm. You May Also Like: Ken Fowser – ‘Right On Time’ (2019) Walt Weiskopf –Read More

Sean Nowell is a name I remember from a couple of years ago when sizing up his last album Stockholm Swingin’ (2011), a snappy live encounter of solid, straight ahead jazz performed by both American and Swedish musicians in a small combo band. You May Also Like: Michael Dease –Read More