How the English Beat Stayed Weird But Hit With ‘Save It For Later’ Anyway
Issued 40 years ago today, the English Beat’s closest brush with the mainstream still incorporated all of these bizarrely effective moments of creativity.
Issued 40 years ago today, the English Beat’s closest brush with the mainstream still incorporated all of these bizarrely effective moments of creativity.
Aviation Blondes’ debut LP was contemporary pop-rock music, and not the garage rock that you’d expect from the Get Hip label.
Terry Carolan has been an unstoppable force on the alternative-music scene since the early ’70s.
Tom Shotton’s 10-track debut sounds like Billy Joel interacting with Rupert Holmes, supported by occasional input from Steely Dan.
Casting a hymn-ish quality, North Carolina singer-songwriter Mike Browning’s “Raise It Up” is a lovely and inspiring anthem not to be missed.
Suffering from the winter blahs? If so, ‘Summertime Sounds’ by the Silvers is sure to combat such weather-related woes.
Zan Zone’s ‘It’s Only Natural’ is all over the place, and it’s all over the place in a wonderful all over and very eclectic place way.
Arnold M discusses the debut album from Karate School Dropout, a fun blend of new wave, dreampop, techno and shoegaze.
There is power pop – and then there is POWER POP. Just by this band’s name, it is obvious what side Doublepluspop’s bread is buttered on.
Sometimes you can judge an album by its title, and that’s the case with British-based Ian M. Bailey’s pretty and pristine ‘Songs To Dream Along To.’