Chicago, “Stay the Night” from ‘Chicago 17’ (1984): Saturdays in the Park
If ‘Chicago 17’ had been released by another artist, I may have liked it more.
If ‘Chicago 17’ had been released by another artist, I may have liked it more.

Tol-Puddle Martyrs’ fine and interesting ‘Brainfade’ is commercial enough for the masses, but cool enough to march to its own cadence.

Matthew Milia’s ‘Alone at St. Hugo’ often recalls rootsier versions of Big Star and Teenage Fanclub, but with a wholly personal touch.

Nick Frater’s ‘Full Fathom Freight-Train’ pulls all the right levers when it comes to capturing the essence of ’70s pop rock.
The latest in a parade of Paul McCartney live projects arrived 10 years ago today with some memorable surprises.

Five years ago, Neal Morse blended every element of his muse into one all-encompassing solo triumph.
Something special happened to Bryan Adams 35 years ago this week. Actually – two special things.
Chicago isn’t breaking any new ground, but “Love Me Tomorrow” is still stronger than the music of their contemporaries.
Released 30 years ago this month, the Smithereens’ ’11’ is defined by haystacks of penetrating hooks and in-the-pocket musicianship.
Released 45 years ago today, ‘Streetlife Serenade’ arrived at a time when Billy Joel was more singer-songwriter than stadium-filling showman.