Death Cab for Cutie, “Summer Skin” from ‘Plans’ (2005): One Track Mind
Released 15 years ago today, Death Cab for Cutie’s meaningful and idiosyncratic “Summer Skin” seems to be about youth, but really it’s all about growing up.
Released 15 years ago today, Death Cab for Cutie’s meaningful and idiosyncratic “Summer Skin” seems to be about youth, but really it’s all about growing up.
One of five original compositions on ’19,’ “Runaround” proved they had pop/rock sensibilities but could still sound like Chicago.
Jason Scheff does a lot better delivering songs emotionally when he writes or co-writes them. Chicago’s “What Kind of Man Would I Be?” is a perfect example.
Julee Johnson’s “So on Top of the World” marries a bubbly disco beat to a simple and steady pop rock finish that is impossible to resist.
Producer Ron Nevison takes over for Bill Champlin’s “Look Away,” a faceless smash single from a forgettable Chicago album.
“Come in From the Night,” more than any other, is a fantastic example of the potential of Bill Champlin and Chicago.
A true rock-pop-folk album, the Grand Undoing’s ‘In a Vigil State’ features honest songs that are both clever and melodic.
Richard Turgeon covers a song about coping and adapting when life is seemingly unbearable, which surely speaks to a lot of us right now.
Another of Jason Scheff’s well-written masterpieces, “We Can Last Forever” makes me appreciate his tenure in Chicago even more.
Steve Porcaro’s programming and synth wizardry and Simon Phillips’ engineering are what makes this weird yet enjoyable Toto song so interesting.