Like last week’s OTM, we’re profiling a song played by a pianist whose preferred method of attack is the trio format. Aside than that, there’s nothing that could be more different about today’s flavor, as we go from a twenty-six minute long cerebral jazz track to a three minute popRead More

It’s hard to put a label on Aaron Neville’s music. Even, as we saw in this interview, for Aaron Neville himself.

by Nick DeRiso A pair of early 1990s Rhino compilations, all punky guts and art-rock pretention – without being pretentious – showed how the Do It Yourself aesthetic was given great depth by the almighty hook. Taken together, they’re a nice overview of the British punk explosion and the lastRead More

Several years ago, Capitol Records released a terrific 3-CD box set called “Crazy Diamond,” by Pink Floyd founder Syd Barrett. Included are “The Madcap Laughs” and “Barrett” — Syd’s only solo albums after getting the boot from Floyd. Also featured is a third disc of unreleased material and rarities, calledRead More

by Nick DeRiso They were the Chanteuse, the Wild Hair (in more ways than one) and the Songstress. And now Fleetwood Mac has had a hit album in every decade since the 1970s. You May Also Like: Lindsey Buckingham wants Fleetwood Mac to be like the Eagles: ‘They always seemRead More

The Beatles’ ‘Revolver’ became their best album as the group made its first genuine foray outside of already-comfortable pop-song structures.