Chicago, “Man to Woman” from ‘Twenty 1’ (1991): Saturdays in the Park
Chicago’s “Man to Woman” is one of my favorite power ballads from ‘Twenty 1.’ Here’s why.
Post Tagged with: "Pop Music"
Stephanie Angelini and Vince Tomas, “Midnight Blue” (2020): One Track Mind
Dominated by a stirring dance groove, Stephanie Angelini and Vince Tomas’ transatlantic “Midnight Blue” features all the markings of a club hit.
Norah Jones – ‘Pick Me Up Off the Floor’; Puss N Boots – ‘Sister’ (2020)
Norah Jones’ continuous search for new sounds and new collaborators has resulted in a varied career that seems to satisfy her enormous talents.
Yes, “Step Beyond” from ‘Heaven and Earth’ (2014): YESterdays
Rather than harkening back to their salad days of the ’70s, Yes’ retro-sounding “Step Beyond” has too much of an ’80s pop feel.
Chicago, “If It Were You” from ‘Twenty 1’ (1991): Saturdays in the Park
“If It Were You” is a flawless song, yet Chicago left it as an deep cut on 1991’s ‘Twenty 1,’ releasing dull, lifeless ballads as singles instead.
Allman Betts Band, Randy Goodrum, Ian Dury + Others: Five for the Road
Allman Betts Band, Randy Goodrum and Ian Dury are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.
Chicago, “Victorious” from ‘Chicago 19’ (1988): Saturdays in the Park
Unfortunately, Chicago had no idea how to make a promising demo from Marc Jordan into something of their own. Here’s my suggestion.
Chicago, “You’re Not Alone” from ‘Chicago 19’ (1988): Saturdays in the Park
Bill Champlin does his best, but Chicago’s utterly generic “You’re Not Alone” could have been a minor hit for any number of other bands of the same era.
Death Cab for Cutie, “Summer Skin” from ‘Plans’ (2005): One Track Mind
Released 15 years ago today, Death Cab for Cutie’s meaningful and idiosyncratic “Summer Skin” seems to be about youth, but really it’s all about growing up.
Chicago, “Runaround” from ‘Chicago 19’ (1988): Saturdays in the Park
One of five original compositions on ’19,’ “Runaround” proved they had pop/rock sensibilities but could still sound like Chicago.
