Veteran keyboardist Jeff Babko joined Ross Boissoneau to discuss career-shaping albums by Toto, Herbie Hancock and Thomas Dolby.

A lot of thought and effort was put into “My Guitar,” which Richard Turgeon says was inspired by the keen production techniques of Brian Wilson.

Chicago’s “Man to Woman” is one of my favorite power ballads from ‘Twenty 1.’ Here’s why.

Dominated by a stirring dance groove, Stephanie Angelini and Vince Tomas’ transatlantic “Midnight Blue” features all the markings of a club hit.

Norah Jones’ continuous search for new sounds and new collaborators has resulted in a varied career that seems to satisfy her enormous talents.

Rather than harkening back to their salad days of the ’70s, Yes’ retro-sounding “Step Beyond” has too much of an ’80s pop feel.

“If It Were You” is a flawless song, yet Chicago left it as an deep cut on 1991’s ‘Twenty 1,’ releasing dull, lifeless ballads as singles instead.

Allman Betts Band, Randy Goodrum and Ian Dury are part of the latest edition of Five for the Road, an occasional look at music that’s been in my car lately.

Unfortunately, Chicago had no idea how to make a promising demo from Marc Jordan into something of their own. Here’s my suggestion.

Bill Champlin does his best, but Chicago’s utterly generic “You’re Not Alone” could have been a minor hit for any number of other bands of the same era.