by Nick DeRiso More musical journey than greatest hits, per se, “Let It Roll” is a primer on George Harrison for those who never got past his time with Beatles — and yet a still-intriguing way to reexperience some of his best solo cuts for those who followed along afterRead More

Photo: Kevin Westenberg By Pico A year ago I broke with my unusual protocol and included a “non-new” album in a Quickies piece. These Streets by Paolo Nutini had already been out for a couple of years by that time, but the debut album by this exceptionally talented teenaged singer-songwriterRead More

Cassandra Wilson, unlike so many, never turns a cover tune into a math problem — trying to get it too note perfect, or make it add up. Instead, her hypnotic, sensuous contralto transforms other people’s work, often giving it a power and meaning never dreamt of before. That’s writ largeRead More

by S. Victor Aaron I remember once or twice seeing the seventies folk-rock band America on one or two lists of most despised bands, and that always puzzled me. So what if the music is soft, my way of thinking goes, if the vocals are rich, the melodies robust andRead More

Milton’s roots music, ruddy and real, doesn’t sound anything like his bio: New York City-based singer-songwriter. Instead, we have this sweetly gruff record, “Grand Hotel,” which stands flat-footed in the middle of the four-way intersection of folk-rock, country, blues and pop. Milton, turns out, comes by this honestly: His grandmother,Read More

Philip Bailey should have been a star in his own right. Here’s a guy with a falsetto as divine as Russell Tompkins, Jr.’s, served as co-lead singer of the superstar soul group Earth, Wind and Fire and used star producers to handle his first two solo albums. And yet, allRead More

Click through the titles below for Something Else! reviews on a number of last night’s key Grammy-award winners, including Robert Plant and Alison Krauss — who must have charley horses from going up and down to the podium so often. We also review B.B. King, whose terrific “One Kind Favor”Read More

XTC was a band that gave pop music a good name. Since their bare, new wave/punk beginnings, melody always mattered.

All music borrows from something else (even though I wonder if that’s really true when I listen to some of the whack jazz I encounter). The difference between a visionary artist and a hack is how creatively the borrowing occurs. No-Man is a band that borrows more creatively than most.Read More

by Nick Deriso There was no reason to believe that the Rolling Stones, 30 years into their dangerously debauched rock career, would make anything worth a damn out of the 1990s. In fact, the preceding decade — one in which, by far, the Stones’ best new thing was actually aRead More