Maud – ‘Maud’ (2021)
This unapologetically delivered eponymous debut from Maud was composed from deeply personal experiences, but could be inspirational to anyone.
This unapologetically delivered eponymous debut from Maud was composed from deeply personal experiences, but could be inspirational to anyone.
Better known as Paul Starling, Brian Bringelson steps out with an album in the spirit of acts like the Beach Boys, Bread, the Smithereens and Matthew Sweet.
The leadoff single from Henry Bateman’s upcoming album ‘A Ghost Inside’ combines COVID-19 produced angst with a catchy melody and inspired musicianship.
Due this week, “Rosie” picks up where the Third Arrangement left off with their debut EP ‘Scarecrow.’ That’s a good thing.
Ken Sharp’s latest album ‘Miniatures’ stands as a complete departure from the genre he is generally associated with among power-pop aficionados.
The Sails are quite the rage across the pond, and ‘Bang!: The Sails Best of 2006 to 2020’ provides the reason why.
Those who seek to pigeonhole music – this is jazz, that is pop, this is hip hop – have their work cut out with Chase Ceglie’s ‘Fear and Love, Together.’
Mark Owen and Cam Tyler step from behind the boards long enough to collaborate as Cryptic Cadet.
Cryptic Cadet present intelligent, well-crafted pop that harkens back to decades gone by while retaining a contemporary sheen.
The 1957 Tail-Fin Fiasco sticks to their winning, quality rock-pop formula for music in making their new record ‘Don’t Go Anywhere’ anything but formulaic.