by S. Victor Aaron Like James Moody and Benny Golson, Barry Harris is a fine, old-school performer with a few standards under his belt and whom I was pleasantly surprised to find is still making viable records. Having a long legacy from 1960 on playing alongside greats such as CannonballRead More

by Mark Saleski The complete list of collaborators attached to pianist/composer/modern day Renaissance man Ryuichi Sakamoto could easily fill the space reserved for a full-length review. The short list includes Brian Wilson, Thomas Dolby, Iggy Pop, David Sylvain, Robbie Robertson, and Daniel Bernard Roumain. His film score resume, while somewhatRead More

by S. Victor Aaron Last year’s Colorfield was Joe Morris’ convincing debut for ESP-Disk. This year’s follow-up follows the same strategy of going without a bass (an instrument that he, ironically, is very proficient at), but instead of piano this time, there’s a cello (by Junko Fujiwara Simons) and violinRead More

by S. Victor Aaron Pianist and composer Ryan Cohan follows up his highly acclaimed One Sky (2007) with another slate of mostly originals, Another Look. Though Cohan is an exceptional composer (Ramsey Lewis has recorded many of his tunes), Cohan sought to make his latest record more performance-oriented. He supplementsRead More

By Nick Deriso It’s no surprise that a performer who got her start working with funny funkster Morris Day settles into a lightly swinging keyboard groove from the first on “Do Something Else.” Why do anything else? After all, Gail Jhonson wrote the book on neo-soul piano. Literally: her publishedRead More

by S. Victor Aaron Last month, percussionist Sameer Gupta presented a CD that was one of the more creative fusions of East Indian and jazz music ever attempted. His keyboardist Marc Cary played a key role in that endeavor but the productive partnership extends to Cary’s own records, too. LiveRead More

by Nick DeRiso Even a passing fan can purchase with some confidence the touchstone jazz recordings of the last century. But what next? How to explore deeper into the legacy? SomethingElse! is here to help, with an ongoing guide to what we like to call “if/then” jazz listening … IFRead More

Posi-Tone Records delivered a rare new album by NYC-based pianist Art Hirahara in 2010, called Noble Path. “Lyrical” is an adjective I’ve seen ascribed to Hirahara, and it’s one he lives up to on this trio date, his Posi-Tone debut. Though he hadn’t been very prolific leading sessions, Hirahara hasRead More

‘The Köln Concert’ still sounds as fresh and honest as it did when Keith Jarrett composed these songs in front of a live audience.

By Nick DeRiso One of three jazz-legend siblings, Hank Jones was perhaps as unassuming as his brother Elvin (nine years younger, famously of the John Coltrane group) was the outsized extrovert. Feathery light, then concisely powerful at the piano, Hank concluded an intellectual, often overlooked eight-decade career on Sunday whenRead More