NICK DERISO: Dug up from some old dusty box in brother Ira’s attic, this scratchy, other-worldly epiphany issued by BMG is remarkable for its ethereal emotion, ageless grace and surprising reliance on (gasp!) commercialism to push art. The first 12 tracks are acetates from “Music by Gershwin,” 15-minute radio programsRead More

NICK DERISO: This release came in the wake of an ambitious year that saw Connick issue both a big-band swing record and a three-piece jumping jazz record without vocals. Not only do I not have to tell you which one sold, I don’t have to tell you which style HarryRead More

The hard-punching Charles Thompson is best known, if he’s known at all now, as a deep-background member of the Coleman Hawkins/Howard McGhee band from this period. On “Takin’ Off,” however, Thompson’s frisky rhythm and round-house experimentation are a constant reminder of just how underappreciated he remains. Thompson wasn’t simply aRead More

NICK DERISO: Young Freddy Cole had dreams of performing in the NFL. You might understand why the younger brother of Nat “King” Cole would shy away from playing piano and singing. But a severe injury to one hand led him to listen more closely to the emotions that jazz musicRead More

Back when I was a young man in my twenties, I had frequent cravings for testosterone-driven jams—just like any young man does. But while some of my buds got their fix through the likes of Van Halen, AC/DC or Metallica, I often turned to McCoy Tyner. McCoy Tyner? Absolutely, whyRead More

by Pico A while back we looked at some of jazz’s most notable swan songs, a short, but certainly not complete list of the best last recordings of some jazz greats. So, what about some of the best beginnings? Here I will list five of what I’d consider some ofRead More

Many is the legend with a forgotten sideman who helped make him great. Count among them Johnnie Johnson, the sleeper pick’s sleeper. See, you’ve been listening to him for years, as the barreling bar-room pianist in those old Chuck Berry records. Do yourself a favor, if you love that earlyRead More

by Nick DeRiso The pianist, of course, got all the press. But Scott Lafaro, this tragic genius in a unique counter-melodic style, is the one who so often gets forgotten. If you care anything about bass (rock, jazz or blues) you will find his recordings with Bill Evans at NewRead More

by Nick DeRiso “Elegy” begins with a trill from Herbie Hancock, then a persistent, oh-so distinctive tapping that could only be drummer Tony Williams. Next, a nimble, casually funky bass line from Ron Carter. Like a dream made real, Miles Davis’ second great group — with Wallace Roney stepping inRead More

by Pico Ray Charles had been such a fixture on the American music scene for so long, it’s still hard to reconcile the fact that he’s been gone for over two years, now. True, it’s been a long time since he had a bona fide hit but his presence permeatedRead More