NICK DERISO: As good as her studio recordings are, they have a certain airless perfection that doesn’t quite fit the rollicking piano genius of Marcia Ball. Hers is a bubbling soulfulness, loose limbed and informal – and it’s dripping over the sides of “Live! Down the Road,” Ball’s first-ever full-lengthRead More

by Pico Here’s where it all started… Pianist Keith Jarrett, double-bassist Gary Peacock and drummer Jack DeJohnette make up the threesome that today is the gold standard of trio jazz. You’ve might have even seen me effuse about them in the past a time or two. And this month marksRead More

Oscar Peterson, one of jazz music’s most recognizable modern-day pianists, was felled on Sunday not from the lingering effects of a 1993 stroke — he kept playing after that — but from kidney failure. He passed, aged 82, in his native Canada outside Toronto. Peterson’s stroke compromised his left handRead More

by s. Victor Aaron A few months ago, we bemoaned the loss of a quality modern jazz composer in Paul Nash and noted how it seems we are well past the heyday of melodists of large-form jazz. Oh my, how did I ever forget about the still-thriving Carla Bley? CarlaRead More

This installment of “Quickies” actually boasts some more diversity than the last one. As in some (gasp) singer-songwriter records! Sandwiched in between is a jazz icon, who like the first entry, recorded some folk-rock back in 1968. Thankfully, he eventually chose the right genre. The last guy is in aRead More

NICK DERISO: As pleasant as this compilation of songs from an October 2000 concert by Elton John may be, yeah, there are problems. The truth is, early 1970s records like “Tumbleweed Connection” (a studio release with no – no! – hit singles) and the rollicking “11-17-70” (a live trio albumRead More

NICK DERISO: Cuban sensation Gonzalo Rubalcaba entered the U.S. not yet a legend, but discovered by one, Dizzy Gillespie. Rubalcaba (very Corea, but with some Hancock mixed in) made a splashy debut on both the Blue Note and Messidor labels in the early 1990s — reinvigorating the Afro-Cuban jazz movement.Read More

NICK DERISO: Skid past the first few tracks — an overcooked original, then a couple of snoozers that are just too obvious in their modern cliche — and Dave Kikoski began to live up to his producer’s persistent tips of the hat. That would be Steely Dan guitarist Walter Becker,Read More

by S. Victor Aaron The classic record showcasing the masterful piano of a just-maturing Bill Evans is back. More to the point, it returns in 24-bit remastered form as part of Orrin Keepnews’currently running “Keepnews Collection” reissue campaign, straight from the original producer of such notable jazz records by ChetRead More

NICK DERISO: Before going out on his own, pianist Marcus Roberts learned an important thing from former bandleader Wynton Marsalis: This ability to use standards to create a context for original compositions. Marsalis had, at this point, moved away from all-original content into a tight embrace of the repertoire —Read More