Like the best Herbie Hancock ballads, “Butterfly” has inner complexity, outer beauty, – and a little mysteriousness.

by S. Victor Aaron He looks like a young Keith Jarrett, even hums along to his piano lines a little like Jarrett, but Jacky Terrasson is defying straight comparisons to anybody. This 1993 winner of the Thelonious Monk competition can conjure the big, train-like sound of McCoy Tyner, the cerebralRead More

by S. Victor Aaron Shipp is one of the currently reigning giants of whack jazz, so that’s a good-sized hole we proud avant garde types left on this site. My short mention of his latest is merely a down payment to rectify that gap. This latest release, by the way,Read More

by S. Victor Aaron I’m not one of those critics who creates a “best of” list by merely dumping a bunch of names and titles. But I felt a need to explain that because this list of mainstream and modern jazz from the past year has 41 entrants on it.Read More

by Pico Chicago’s own Ramsey Lewis is part of a surprisingly sturdy fraternity of major jazz pianists who first started making records more than half a century ago. Like Horace Silver, Cecil Taylor, Hank Jones, Ahmad Jamal and Paul Bley, Lewis’ resilient popularity comes from doing things he’s done forRead More

by S. Victor Aaron After forty years in the business, ECM remains one of the busiest jazz labels around, and if anything, they’ve been picking up steam lately. That might be because they continue to bring on exciting new artists while continuing their amazing ability to retain so many ofRead More

by S. Victor Aaron Brooklyn-born Steve Kuhn has not only enjoyed a long and fruitful career as a pianist of acclaim, but an interesting one as well. He studied classical piano under Margaret Chaloff, who also educated other jazz pianist luminaries like Herbie Hancock and Keith Jarrett. At thirteen, heRead More

Daniel Kelly is a keyboardist and composer with three albums since 2000 already under his belt before this one, and given his predilection for delving into so many different styles, every release has been a surprise. For Emerge, Kelly’s theme is the piano trio format, but to him, that’s hardlyRead More

“The Tony Bennett/Bill Evans Album” remains, for me, one of the three or four most engrossing vocal jazz recordings — along with Sinatra’s Jobim collaboration, Ella performing with Satchmo and Nat “King” Cole’s “After Midnight.” But what made the initial Bennett/Evans project, and its follow up — 1976’s “Together Again”Read More

Marcus Roberts has burst back onto the jazz landscape, 11 years after his last session, with “New Orleans Meets Harlem, Vol. 1” – one of the Florida-born pianist’s most celebrated recordings. A rich and explorative combining of styles from across the legacy, Roberts’ record nevertheless retains its uniquely Southern voiceRead More