Harriet Tubman’s ‘Electrical Field of Love’ is a welcome enough return on its own but their willingness to keep shaking things up by bringing on board Georgia Anne Muldrow signals that they haven’t lost any aversion to standing pat.

Vijay Iyer, Steve Lehman and Tyshawn Sorey come back from seventeen years off to execute with a vengeance on Fieldplay’s ‘Thereupon.’

The book on Henry Threaadgill’s amazing career has already been published but ‘Listen Ship’ keeps this compelling story going.

With ‘Zealous Angles,’ Matt Mitchell blows a gaping hole into the notion that the piano/bass/drums construct in jazz has been played out.

As an advanced bassist and composer, Kim Cass with his star colleagues meet his challenges head-on, making ‘Levs’ such a breathtaking ride.

Kate Gentile held back no ambition in making the vast, unencumbered ‘Find Letter X,’ as her band carried out thoroughly conceived, nonconformist concepts.

Tyshawn Sorey’s trio builds on the triumph of the standards-reimagining ‘Mesmerism’ with the loose, imaginative ‘Continuing.’

By expanding his band into an orchestra for ‘The Other One,’ Henry Threadgill demonstrated that his deviceful musical ideas are not only scalable, but eminently enduring.

With ‘Thisness,’ Miles Okazuki and his nimble, astute and funky quartet take yet another significant artistic step forward.

Henry Threadgill’s creative light burns as bright as it ever did, and ‘Poof’ from his long-running Zooid ensemble is proof of why he is still earning accolades.