This is the Almost Hit from Midnight Oil’s Diesel and Dust, which is primarily remembered for the Top 20 smash “Beds Are Burning,” but in many ways “The Dead Heart” always felt like the better song to me. You May Also Like: Stephanie Angelini and Vince Tomas, “Midnight Blue” (2020):Read More

Copping a cue from the Beatles, the Byrds and the Vejtables, the Whatt Four figured it would be quite hip to misspell their name. Yes, that was the thing to do back then, and such a practice continued on You May Also Like: Mudcrutch’s belated self-titled debut brought Tom PettyRead More

Using a series of canny fin de siecle images from the crashing fall of Rome, prog keyboardist Tim Morse’s “Rome” — from his second long-player Faithscience — outlines a litany of worries over our stewardship of the Earth. You May Also Like: Branford Marsalis, Lucas Lee, Tim Morse + Others:Read More

Beth Hart, a raw and dynamic singer, has joined forces once again with guitarist Joe Bonamassa — and, as with 2011’s Don’t Explain, this collaboration brings out the best in both. You May Also Like: No related posts.

A day after fans heard the first single from Black Sabbath’s upcoming 13 project, the band debuted a second song, “The End of the Beginning,” live in New Zealand. You May Also Like: Why Black Sabbath Went Out on a High Note With ’13’ Why Black Sabbath’s Tony Iommi WasRead More

The appropriately named “Combustible,” part of an upcoming Wallace Roney project called Understanding, bursts out like a spit-shined hard-bop muscle car — and the trumpeter never takes his foot off the gas. You May Also Like: When Miles Davis Finally Looked Back on ‘Miles and Quincy: Live at Montreux’

The soon-to-be-released Lifesigns single “Telephone” is perhaps the best example of how the group’s previous lives in prog and pop can coalesce into a listenable, yet still challenging, amalgam of both. You May Also Like: No related posts.

Anthony Branker plays no instruments on his latest record Uppity. Actually, he’s never performed on any of his six releases, so I can’t discuss what a great instrumentalist or vocalist he is. You May Also Like: When Miles Davis Finally Looked Back on ‘Miles and Quincy: Live at Montreux’

The title track from If The River Was Whiskey, the first album of new material from 1990s radio-darlings the Spin Doctors since 2005, scuffs up the hitmaking formula for familiar songs like “Little Miss Can’t be Wrong” with a snarling city-blues vibe. You May Also Like: How “It’s a LongRead More

Can K-Pop juggernaut Psy catch lightning in a bottle again? Does anybody care? Actually, a lot of people care. You May Also Like: Joe Mandica, “My Heart Belongs” from A Thousand Miles (2016): One Track Mind