The Arcs’ “Stay in My Corner” isn’t any muscle-popping left turn for Black Keys fans. Instead, it simply sticks with what Dan Auerbach does best.

Neal Schon’s baseline is one of torrid invention. But there’s another side to the Journey great, and an advance track for ‘Vortex’ powerfully showcases it.

Neil Young’s “Wolf Moon” features a delicately inviting sound that leads long-time fans back to ‘Harvest’ and its terrific sequel ‘Harvest Moon.’

Joe Mandica and Marty Penrose’s “Then The Light Came On,” from the Initiative’s great new album, is pop rock designed to turn your light on.

“Pachuco Cadaver,” which arrived this week in 1969 as part of Captain Beefheart’s ‘Trout Mask Replica,’ is some pretty bizarre stuff. But I love it.

“Where Did I Love Your Love,” released this month in 2008, is perhaps the closest Journey has come to completely renimating its platinum-era sound.

Paul McCartney’s ‘Memory Almost Full,’ released on June 5, 2007, included a moment of pure, Wings-inspired pop – despite arriving amid crushing adversity.

Richard Thompson’s enduring ability to frame heartbreak gives substance to “Broken Doll,” our latest advance taste of the Jeff Tweedy-helmed ‘Still.’

Here’s a review of the last song from Nick Hempton’s ‘Catch and Release’ series. “Change For A Dollar” features his base quartet plus tenorman Jerry Weldon.

‘Jimmy Choos,’ the lead track off the first album of original Rickie Lee Jones material in 10 years, sounds both familiar and different.