‘Mystery to Me,’ released this week in 1973, included a standout moment that pointed the way to Fleetwood Mac’s charttopping promised land.

Warren Zevon’s one-off collaboration with members of R.E.M. in the Hindu Love Gods was filled with comfy cover tunes. But one of them stood out.

In October 1982, as “Open All Night” arrived on ‘H20,’ Hall and Oates were tending toward mechanization and goofy videos. Not here.

Salvador Santana’s “Till The Mornin’ Light” is one of the more accessible tracks on an album that boldly moves from funk to reggae to rap.

“Crosseyed and Painless,” released as part of ‘Remain in Light’ on Oct. 8, 1980, got at something deeper about the ’80s – and the Talking Heads.

An expanded reissue of GTR’s self-titled 1986 debut finds Steve Hackett and Steve Howe making the surprising choice to take on a Yes classic.

Let’s look past the easy Fab Four comparisons with Electric Light Orchestra’s “Mr. Blue Sky,” released Oct. 3, 1977 as part of ‘Out of the Blue.’

Released on Oct. 3, 1983 as part of their self-titled album, this represents one of the last rickety bridges between Genesis’ two eras.

Savatage’s classic ‘Hall of the Mountain King,’ released on Sept. 28, 1987, was an eye-opening experience for first-time producer Paul O’Neill.

Aside from being a great song, the story of how the Wicked Fools’ “Beverly” dropped in my lap is simply unbelievable.