You’ve seen it many times before and probably joined the fray a time or two. I’m talking about that never-ending debate on “Who is the greatest guitarist of all time?” Man, there’s so many outstanding ones out there with so many different styles, how can you choose? I sure asRead More

by Pico So I was listening to this tune off of Hotcakes and Outtakes the other day on the Pico ‘Pod and ohmygawd it hit me: this blog has never respresented for Little Feat before! After all, we did promise to deliver musical musings in the realm of blues, rockRead More

Al Jarreau has found a good measure of success from applying his unique weave of octave shifting singing and jazz scatting to a wide array of songs ranging from jazz standards to r&b to straight pop. And like Linda Ronstadt and Robert Palmer, he’s had a knack for finding someoneRead More

by Pico OK, I’ll say it up front: I’ve never been a fan of The Grateful Dead. Don’t know for sure why; after all, I love extended improvisations and the confluence of different styles. And it’s not that I don’t like jam bands; I can listen to the Allman BrothersRead More

Like last week’s OTM, we’re profiling a song played by a pianist whose preferred method of attack is the trio format. Aside than that, there’s nothing that could be more different about today’s flavor, as we go from a twenty-six minute long cerebral jazz track to a three minute popRead More

by S. Victor Aaron That Keith Jarrett, he’s one amazing individual. Consider: · In the middle of the domination of jazz by wanking electric guitarists and keyboardists in 1975, KJ sits down in front of an audience in West Germany armed with only a piano, starts playing whatever came outRead More

Ahhhh, Friday night. As R.L. Burnside would say, “I know godd—ed well it’s party time.” But the blues isn’t the only place you’ll find the Good Lord’s name uttered in vain. Thanks to Les McCann, you can also find that commandment broken in a soul-jazz ditty that he made aRead More

This week’s single song review shines a light on avant-jazz composer/flautist/altoist Henry Threadgill. A part of the seventies whack jazz movement that brought us such lunimaries as Julius Hemphill, David Murray and the Art Ensemble of Chicaco, Threadgill was one third of the modern creative ensemble Air with bassist FredRead More

by S. Victor Aaron The critics all declare Exile On Main Street to be The Rolling Stones’ magnum opus. Yeah, it’s a great album alright but for my money, I’ll take the one right before it, Sticky Fingers, anyday. From the sass of “Brown Sugar” to the gentle country ofRead More

by Nick DeRiso Almost certainly written by Paul McCartney in an attempt to mirror some of the heavier, more intellectually raw pieces that John Lennon had begun to craft. Lennon was not outwardly impressed — famously sniffing that it was “the best song Paul ever wrote” — but there areRead More