John Wetton, “The Last Night of My Life” from Raised in Captivity (2011): One Track Mind
John Wetton, in great voice, embraces a deeply hopeful twist on the old carpe diem on “The Last Night of My Life.”

John Wetton, in great voice, embraces a deeply hopeful twist on the old carpe diem on “The Last Night of My Life.”

Rick Stone picks more obvious standards elsewhere on his forthcoming release, Fractals. You May Also Like: No related posts.

by Tom Johnson Do we need another Radiohead cover? Hasn’t everything been said about Radiohead by artists from every corner of the music world? You May Also Like: Richard Turgeon, “Better With You” (2022): One Track Mind Richard Turgeon, “Learning to Fly” (2020): One Track Mind

by Mark Saleski Do things in music always have to go smoothly? Does it bother you when your expectations are upset? I’ve always enjoyed it when a song takes an unexpected left turn. You May Also Like: No related posts.

by Tom Johnson When Tool’s Lateralus came out a few years back, there was much talk about how intense it was going to be, how it was going to be all about building tension and sudden release. I ran out and scarfed up a copy You May Also Like: HowRead More

Do you know what today is? It’s our anniversary. R&B songs from the 1990s don’t come a lot in the rotation in that endless soundtrack running in my head, but this sweet, jazzy little Philly soul-cum-New Jack Swing slow jam stands out in my book You May Also Like: WalterRead More

Guitarists Bill Anderson and Billysteve (yep, one word) Kopri turn the blues inside out on Churchwood’s “Vendidi Fumar,” then wear it around like Lady Gaga’s meat dress. Theirs is a sound — sudden, bright and menacing — not unlike a car crash You May Also Like: No related posts.

Like an aging boxer making an heroic late-round stand, James “Superharp” Cotton brilliantly tangles on a timeless favorite from his 1960s tenure with Vanguard, giving fellow harp master Billy Branch all he can handle. You May Also Like: Jaimie Branch – Fly or Die (2017) Anteloper [Jaimie Branch + JasonRead More

“Midnight in Harlem” is the sweet-swaying centerpiece of an all-you-can-eat buffet of deep-fried delights called Revelator. You May Also Like: Susan Tedeschi’s Varied ‘Back to the River’ Set the Stage for Greatness Derek Trucks Band’s ‘Already Free’ Gave Us a Fine-Tuned, Intimate Farewell

The music of Wadada Leo Smith, no matter the setting, is spiritual, mesmerizing, purposeful and often dense. We found out back toward the end of ’09 just how dense his music can be You May Also Like: Wadada Leo Smith – Najwa (2017) Wadada Leo Smith and Orange Wave ElectricRead More