A Michael Jackson hit rejiggered as a blues, by a Canadian. It’s enough to make your head hurt. But in a good way. You May Also Like: Disaster Relief and Thornetta Davis, “How I Feel / Not So Scared of You” (2021): One Track Mind David Crosby, “Amelia” from ‘SkyRead More

Let’s look beyond the goofy flutes and whatnot — and the oddly aggressive nature of the song, because it’s just so out of character for the nice man. Paul McCartney screwed up “Live And Let Die” in a huge way You May Also Like: ‘Wings Over America’ Remains a PinnacleRead More

There are these moments, throughout the fiery emotional aftermath of “Ashes Ashes,” where Katie Costello gives herself over to the lyric, and the sound is like a hot wind rushing past and out into the world. You May Also Like: No related posts.

When ‘News of the World’ ended its 168-year run on July 10, 2011, I can’t imagine that anyone was cheering louder than Joe Jackson.

Well-known from the first as a trombone player with a penchant for warm, vocalized blues phrasing, Curtis Fuller was always an underrated composer, as well You May Also Like: Curtis Andrews, “Tight Rope, Short Walk” from ‘Speaking Hands’ (2021): Something Else! video premiere

Guitarist John McLaughlin, decades after his audacious late 1960s’ stateside debut with Tony Williams and Miles Davis, has lost none of his power, virtuosity and vision You May Also Like: How John McLaughlin’s First 4th Dimension Album Brought Things Back in Focus John McLaughlin’s Shakti – ‘This Moment’ (2023)

Rebirth Brass Band comes out hotter than a pistol on “Shrimp and Gumbo,” another in the long line of lip-smacking New Orleans songs about food, yet there remains an underlying theme of musicianship. You May Also Like: Canadian Brass – ‘Canadiana’ (2022)

Larry Goldings, the jazz organist and long-time James Taylor sideman, opens his second acoustic piano solo release with this update of “In My Room,” a Beach Boys’ 1963 pop masterpiece You May Also Like: Scary Goldings, feat. John Scofield – ‘IV’ (2021)

by Fred Phillips When Johnny Cash came to work with Rick Rubin in the 1990s, American Records had another man in black already on the roster — Glenn Danzig. You May Also Like: Bob Seger and the Silver Bullet Band, “Boomtown Blues” from The Distance (1982): One Track Mind

Annie Dressner’s voice has a twilight poignancy, this majestic loneliness, and nowhere on her forthcoming release Strangers Who Knew Each Others Names is that more true than on its title track. You May Also Like: No related posts.