Midwesterner Dan Hazlett ambles out on The Corner of My Eye with a gently undulating cadence and an ever-so-comfy vocal on “The Alchemy of Fish,” beginning an album-long connection with every classic 1970s-era singer-songwriter type. You May Also Like: Jonathan Rowden Group – Skyward Eye (2017)
The center point of this new Fleetwood Mac EP is a track thought lost from the Buckingham-Nicks era, a song that once might have just been about being in love but now billows with a very mature sense of acceptance. You May Also Like: No related posts.
Michael McDonald’s “Judgement Day” has a ballsy gumption that his smoothed-out pop hits and plasticine Motown remakes scarcely aspire to.
Sasha Papernik isn’t the first person to attempt to untangle the verities of love in song. Yet Victory, a dark and dangerous piece of noir-inspired songcraft, lures you in anyway. You May Also Like: No related posts.
The sound is bad, and the image is worse. But we’ve gotten a glimpse into a third track from Black Sabbath’s forthcoming Ozzy Osbourne reunion record with “Methademic,” a track that seems sadly appropriate considering Ozzy’s latest back slide You May Also Like: Why Black Sabbath Went Out on aRead More
James Cotton has long referred to his regular working band as “my family,” so close is their sense of musical symbiosis, so long is their history. Still, to my ear, he’s never put out a more personal album than the forthcoming Cotton Mouth Man. You May Also Like: Danielia CottonRead More
Still sizzling with unbound fury, Iggy Pop and the Stooges rejoin their white-knuckle search for meaning, though what they find isn’t any prettier 40 years later. Hell, at times, it’s just as terrifying. You May Also Like: ‘Danny Says: A Documentary on the Life and Times of Danny Fields’ (2016):Read More
This is the Almost Hit from Midnight Oil’s Diesel and Dust, which is primarily remembered for the Top 20 smash “Beds Are Burning,” but in many ways “The Dead Heart” always felt like the better song to me. You May Also Like: Stephanie Angelini and Vince Tomas, “Midnight Blue” (2020):Read More
Time has been kind to Ray Wilson, who had the misfortune of replacing Phil Collins in Genesis for its final studio album. Calling All Stations, if not undergoing a complete critical reevaluation, is at least becoming better understood. You May Also Like: Ray Wilson – Song for a Friend (2016)
From its band name –– which sounds like a something off the front porch of a shotgun shack — to its muscular, harp-driven opening track, you’d be forgiven for assuming Gator and Mudcat’s Back in the Game was just another blues-rocking project. You May Also Like: Dan Markell, “Carnival Game”Read More
