Patrick Moraz stops in to discuss his endlessly varied career with Yes, the Moody Blues and as a solo artist.

Though he’s leading a group of fellow veterans from James Taylor’s touring band, Steve Gadd’s 10th solo album couldn’t have less to do with that easy-going singer-songwriter vibe — or any of Gadd’s countless other rock and pop dates. You May Also Like: The Chick Corea + Steve Gadd BandRead More

An intriguing (though, unfortunately, only partial) collaboration, The Boys Club, Live From California: The Complete Concert has certainly taken a circuitous route — having long appeared as a bootleg You May Also Like: ‘Fanfare For the Uncommon Man: The Official Keith Emerson Tribute Concert’ (2021)

At this point, you’ve heard their hits so many times that spelling “Method of Modern Love” is second nature. Time to dig a little deeper into the heady mixture of folk, R&B and rock that is Hall and Oates. You May Also Like: No related posts.

The story of Sly and the Family Stone is that of the 1960s, a decade of dizzying highs followed by a period of just as devastating lows. Their music, and the band itself, shared the similar promise of a new way — only to implode with a shocking finality. YouRead More

On the precipice of some very bad vibes — they were about to lose Nicky Hopkins then David Freiberg before going into a folk-rock abyss with Dino Valenti — Quicksilver Messenger Service put on one of its last truly great shows. You May Also Like: Adam Hopkins’ Crickets, “Grounded” (2023):Read More

The joy surrounding this blues-rock collaboration is found not just in the Rides’ meaty originals — four of the 10 tracks are new — but in the way this just-founded trio happily attacks the cover tunes. You May Also Like: Stephen Stills & Judy Collins – ‘Everybody Knows’ (2017) Yes,Read More

Detailing almost the precise moment that Ritchie Blackmore began his transition toward ren-faire rock, this 1995 Rainbow performance for Germany’s Rockpalast isn’t by any means essential — but it sure is interesting. You May Also Like: No related posts.

With a groove so sharp it cuts through the night, “Fire and Brimstone” bears no small amount of resemblance to the fonky-psychedelic rock style of Trombone Shorty’s former employer, Lenny Kravitz. You May Also Like: Trombone Shorty Raced Beyond Genres on Transcendent ‘Backatown’ Trombone Shorty – ‘Lifted’ (2022) Richard Turgeon,Read More

Mike Keneally discusses the role of instant composing and improvisation, along with his hopes for working with XTC’s Andy Partridge again.