Glass Hammer returns never sounding so much like itself, even as the band boldly expands its vocabulary — musically and quite literally. “Crowbone,” for instance, includes an invigorating guest turn by violinist David Ragsdale of Kansas fame You May Also Like: Philip Glass Transcended David Bowie’s Towering Influence on ‘LowRead More

Given an expectation that the young Sam Coulson, who’s taken over for long-time guitarist Steve Howe, was going to provide a bit more of a metallic crunch to the proceedings, Asia’s opening statement on the forthcoming Gravitas couldn’t be more surprising. You May Also Like: John Wetton, Geoff Downes sayRead More

Brian Blade commences with a quiet pulse on “He Died Fighting,” setting the stage for an appropriately militaristic opening statement. But as the rest of his long-standing Fellowship Band gathers around, the track opens up into a vista of astonishing emotional complexity. You May Also Like: Brian Blade & TheRead More

A previously unreleased trio recording from Pat Martino provides new insight both into his obvious debt to Wes Montgomery and Grant Green — but also how his burning, blinding speed outstripped anything those old masters ever attempted, even as the guitarist opened a door for fusion’s looming ferocity. You MayRead More

Don Airey, who had a vibrant career of his own prior to Deep Purple, has provided a ringing farewell for his old bandmate Gary Moore — with a final assist from the too-soon-gone guitarist himself. You May Also Like: Ian Gillan picks the classic track Deep Purple should play: ‘ItRead More

The Crimson ProjeKCt, a Robert Fripp-approved King Crimson offshoot group, begins its new tour today in Tel Aviv — even as the mothership band is set to restart featuring two of the ProjeKCt’s stalwart members. You May Also Like: King Crimson moved far afield on Discipline, but didn’t forget itsRead More

Slowly at first, and then with a tornadic gush, Brian Eno and Karl Hyde begin this collaborative journey. “The Satellites” kicks off with an almost imperceptible pulse, then synth and sax tangle and untangle — creating an undulating dissonance, before there emerges from these whispers a canny amalgam of Eno’sRead More

Robert Cray switches producers for his second album in two years for Mascot/Provogue, but keeps the same visceral guitar presence.

Electric Litany has made a quick name for itself with its synthy, melancholic etherealism.

The Indianapolis-based 2 Taks Back have switched lead guitarists and bassists since 2012’s Coming Home – and yet, little has actually changed since vocalist Curtis Hartsook and Chris Dunlap founded the band years ago. You May Also Like: Tom Petty and the Heartbreakers’ gritty Mojo was more than just theRead More