Inspired as much by dreamscape ruminations on love as she is by Celtic folkways, emerging talent Ashley Davis’ forthcoming Night Travels creates an endlessly involving, warmly enveloping atmosphere across its 11 tracks. To her enormous credit, the results sound at once timeless and new. You May Also Like: No relatedRead More

This first-time-ever collection of both Eric Carmen’s Raspberries and solo favorites also includes his first new song in some 18 years.

Fish saw his marriage fall apart amidst a throat cancer scare in the run up to this album, and you hear some of that fear and loss.

You’d probably assume that 1981’s The Baron, produced by countrypolitan pioneer Billy Sherrill, would do little to suggest where Johnny Cash would end up a little over a decade later with the American Recordings series. You May Also Like: Tom Petty, Johnny Cash + Beastie Boys: Rick Rubin’s Most ImportantRead More

What with the semi-permanent scowl that’s plastered on Don Henley’s face these days (ask Frank Ocean! Or better yet, ask Okkervil River!), it’s easy to forget just how resonant his voice can be. “These Days,” a track written by a teenaged Jackson Browne and featured on a forthcoming double-album tributeRead More

Ben Harper has been involved with a number of intriguing collaborative moments lately, including Ringo Starr and Charlie Musselwhite, but this is his most personal yet. You May Also Like: Ellen Foley Talks ‘Bat Out of Hell,’ Ian Hunter and ‘Fighting Words’: Something Else! Interview

Steve Lukather says he gained an even deeper appreciation for Ringo Starr’s easy-going brilliance at the drums while collaborating on a new song for the former Beatles’ upcoming solo album. Impishly titled “You Bring the Party Down,” it’s part of an as-yet unnamed followup to Starr’s Ringo 2012. You MayRead More

Roger Daltrey is reborn inside this shuffling groove, as Wilko Johnson’s “I Keep It To Myself” transports the longtime Who frontman to a different era.

If “Scratch” is any indication, and the guitarist is already saying it is, John Frusciante’s forthcoming studio project will represent a furiously inventive encapsulation of everything he’s has done so far You May Also Like: When John Frusciante Returned to Solo Work on ‘Shadows Collide With People’

“Sweet Tea,” the just-released lead track from Glenn Hughes and Jason Bonham’s self-titled California Breed debut, makes clear that 23-year-old guitarist Andrew Watt is no Joe Bonamassa. There’s not a whiff of the blues-rock underpinnings from their time with Black Country Communion. You May Also Like: No related posts.