A canny combination of the Mellencamp of old and the Mellencamp of today.

It seems, finally, that Skid Row has found its way again.

Hayward has never sounded closer to the material, or closer to us.

This illustrates how Wilson matured at a dizzying pace over the 2003-10 era.

Despite a lengthy stint with Marillion, something clicks with these new faces.

This makes Moore’s case again as one of modern blues’ most visceral voices.

Simon Phillips’ “Moments of Fortune” says a lot about what the ex-Toto drummer hopes to accomplish on his own.

The kind of torrential, brain-freeze licks that can only be compared to Hendrix.

She remains a wonder of range and sassy interpretation.

Every bit of this song’s original impetus, that flinty anger, returns.