Expect Steven Wilson’s upcoming shows to include new songs from ‘Hand. Cannot. Erase.,’ and Wilson without any shoes on.

‘Live in Memphis’ makes the case for Big Star’s inclusion of two Seattle interlopers, showing how they grew as a band into the ’90s.

The rockabilly punk of “Rip This Joint” provides an early glimpse into how Ron Wood would fit in with the Rolling Stones.

Brian Mackey spent some two years working on his debut album, and you hear every moment of care in songs like “Captain of the Moon.”

Allen Toussaint explores a Paul McCartney connection from long before their time together around the newly reissued ‘Venus and Mars.’

You might expect a rootsy track called “21+” to focus on hell raising in a fictional saloon. Butch Walker does something different.

Delfeayo Marsalis undertakes his first full-length collaboration with father Ellis, but the star may just be drummer Marvin “Smitty” Smith.

One part revelry and one part reverie, Dr. John’s update of Paul McCartney’s “Let ‘Em In” is a highlight on the forthcoming ‘Art of McCartney.’

Lucinda Williams’ gruff slur on “Have Yourself a Merry Little Christmas” conveys just how few times the fates allow us the moments we’d like.

A pessimist’s anthem for any era, Leonard Cohen’s “Everybody Knows” never loses its blunt force wisdom.