They opened up the building and we streamed through the turnstiles, tickets and hats and signs in hand. We bought Dome Foam, personal pizzas, and peanuts. So much of that was similar to other days in this place, as the New Orleans Saints played their first home game of theRead More

by Nick DeRiso Capitol Records — under its Blue Note and World Pacific imprints — put out a much-needed overview of Cuban jazz a while back. From them emerged a new star: Showcased on both “El Jazz Cubano” (WP) and “Solo Piano” (BN) is the swinging magic of pianist JesusRead More

A very brave record, in that all ‘Til Tuesday had to do was stick with the sleek pop of the day and cash the checks.

by Nick DeRiso “Elegy” begins with a trill from Herbie Hancock, then a persistent, oh-so distinctive tapping that could only be drummer Tony Williams. Next, a nimble, casually funky bass line from Ron Carter. Like a dream made real, Miles Davis’ second great group — with Wallace Roney stepping inRead More

In the brilliant, circular overture of synthesizer and riff that opens ‘Endless Wire,’ we find a triumph for what’s left of the Who.

by Nick DeRiso Thumbing through William K. Greiner’s coffee-table book, The Reposed, I was struck by the way people honor their dead. These stirring photographs, taken at gravesites throughout the Mississippi Delta, also made me think of my own father’s grave — left alone and quiet for better than sixRead More

by Nick DeRiso John Lennon was a bundle of contradictions, both peacenik provocateur and tender tough guy. He lived a life that was simultaneously brash and vulnerable, easy going and hard eyed. A flower child who was viciously murdered, Lennon’s story — and, indeed, his art — took twists andRead More

by Nick DeRiso The doo-wopping Temptations – five guys that had both a way with harmony and these pillow-soft on-stage moves – probably should have been an oldies act years ago. After all, a song like “My Girl,” recorded in 1964, might have held little resonance by the end ofRead More

Released in the time immediately following the Woodstock basement recordings (which wouldn’t see the light of day ’til the dawn — or is that yawn? — of disco), Bob Dylan goes twangy — and with resounding success. Folksy, without too much folk. “Rolling Stone” said “John Wesley Harding” helped setRead More

As noted, a “leak” of some new Dylan tracks from his own record label (ahem) got me back into the stacks – and back into Bob. We’re mixing and matching here, old and new, relevant and pee-yew. That’s Dylan for you … raising our sights, but occasionally frustrating our desires,Read More