Steven Wilson’s “Perfect Life” is as gorgeous as it is enigmatic, and an involving reminder of the larger things at play on the upcoming ‘Hand. Cannot. Erase.’

The Staple Singers’ stirring sense of community comes through in every line of “Friendship” from patriarch Pops Staples’ forthcoming posthumous album.

Having originally left because he wasn’t interested in Genesis’ ever-more-aggressive touring schedule, Anthony Phillips remains steadfastly solo.

Jon Anderson remembers “And You and I,” which became Yes’ fourth consecutive Top 50 single after its release this week in 1972.

The Church let their muses guide them through a furious period of creativity, as ‘Further/Deeper’ was created over just eight days in 2013.

With ‘Don’t Tell A Soul,’ released on Feb. 1, 1989, the Replacements tried to move on from fashioning art out of chaos. Instead, they imploded.

The opening track from Steve Earle’s upcoming ‘Terraplane,’ a chugging Howlin’ Wolf-esque electric blues, works on two levels.

Randy Bachman catches a flinty blues-rock groove in the muscular trio style of the late 1960s. A guitar battle with Peter Frampton then ups the ante.

The brutally honest, toss-off attitude on ‘Milk and Honey’ was more in keeping with John Lennon’s solo career than the slick, celebrated ‘Double Fantasy.’

Chris Smither offers a stripped down, far more aggressive take on 1999’s “Drive You Home Again” for the ‘Signature Sounds 20th Anniversary Collection.’