NICK DERISO: The Lightnin’ Bugs’ first live album begins, fittingly, with this boozy tribute to “Mama Rosanne,” a primer on the pleasing, blues-based gumbo that’s quickly become associated with this north Louisiana-based group. Start with healthy dashes of wheezing accordions, plucky fiddles and second-line drum-groove. Then, about midway through, sprinkleRead More

NICK DERISO: Buckwheat Zydeco should, more correctly, be called Buckwheat Zydeco/Soul/Pop/Dance/R&B/Rock/ Funk/And Some Gospel. “On Track” is perhaps the best example of Stanley Dural’s far-flung interests. He arrived, of course, with the credentials: A gravelly patois style, a band called Il Sont Partis (“they are crazy”) and experience in theRead More

NICK DERISO: Go into this hidden-away New Orleans gem expecting blues — what with Jim Dickinson producing and East Memphis Slim as a sideman — and you’re in for a big surpise. The House Levelers were more of a thumpy roots-music outfit, one that was at once sharp as scissors,Read More

Everyone knew Loretta Lynn was at Shoney’s in West Monroe, Louisiana. It said so right on the side of her tour bus. But she wouldn’t come out.

NICK DERISO: We blast off with two break-neck covers from this bluesy Tex-Mex bar band — Jimi Hendrix’s scorching “Hey Joe” and then ? and the Mysterians’ “96 Tears.” Consider yourself warned. This is floor-it fun, with the brake pedal broken off. Carrasco and Co. rarely stop even to breatheRead More

NICK DERISO: Used to be, liking the Alabama-born Sullivans was akin to being part of some secret society. Nobody knew ’em. But the ones who did, well, they flat-out loved ’em. Then, somewhere along the way, Jerry and Tammy Sullivan went from being little-known gospel greats to gosh-dog superstars. We’reRead More

NICK DERISO: Sequencing an album by the New Orleans-based Irish folkie Beth Patterson must be like trying to make sense of a series of radio stations. The first track on her debut solo CD was a classic reel, one of those familiar yet still luminous moments with the swirling rhythmsRead More

Funny that most people finish their thoughts on outlaw country with Willie and Waylon. Because if you’re talking outlaw — real outlaw; as in your basic leather-wearing, bad-attitude-having, stringy-hair-hanging, tat-sporting, law-breaking (did I mention, bad-attitude-having?), six-gun-waving, hog-riding, too-country-for-country-radio singing outlaw — David Allan Coe is your prototype. He’s the kindRead More

by Nick DeRiso Like “alternative” before it, the term new-age music has been stretched out of shape by the varied and interesting voices that have gotten involved over the years. But you’ve got to have a label for the bins at those mall record stores. And, so it goes. PeekRead More

It’s uncommon to find a blues recording with so much originality and verve. Willie “Sugar Bear” Kent, already memorable (as with, say, Willie Dixon) for being the rare leader who plays bass, dared take the music to a new place on this one. Featured is trumpeter and arranger Malachi Thompson,Read More