Less anthematic, in the way of his work with The Who, than it is reflective and frank, Pete Townshend convincingly argues the case for middle-aged rock with “Slit Skirts.” That the gap between the extroversion of his band recordings and the smaller joys of his solo stuff was already disappearingRead More

Charlie Musselwhite, who once played with Muddy Waters, has just gotten better in his absence. A fine example is this Grammy-nominated release, which includes a deft cover of Sleepy John Estes’ fine “Brownsville Blues.” It’s a career highpoint, and (funny thing) Musselwhite hasn’t even put harmonica to mouth yet atRead More

It might be best to take Brian Eno — the electronic mastermind behind some of the most important modern rock albums by the likes of David Bowie, Talking Heads and U2 — in smaller doses than this three-disc set allows. A thinker, a tinkerer, he’s always risked much — notRead More

NICK DERISO: There was a time, and not that long ago, when jazz was the music of this country’s youth — a way to rage against the machine, back when the machines were Desotos and Studebakers. So we have here a fairly novel idea: Using the staid conventions of classicalRead More

NICK DERISO: John Lee Hooker, a hypnotically transfixing figure in the blues, made a series of money- and headline-making splashes beginning in 1989 by collaborating with younger artists, beginning with his celebrated record “The Healer.” That one, for instance, included turns with Carlos Santana, Bonnie Raitt, the Rolling Stones’ KeithRead More

Ellis Marsalis’ ‘Whistle Stop’ served as an important reminder that New Orleans’ jazz patriarch was still a hat-tipping, oh-so-swinging piano man.

NICK DERISO: Pete Fountain, and this is rare, has remained local. Even now, you can still find this almost-mythical 70-something clarinetist at hometown spots in the New Orleans area, playing native-born favorites. Your garden-variety Marsalis talks about the Crescent City, but can’t be found within a country mile of itRead More

Skip the in-concert patter, and Frank Sinatra’s ‘Sinatra and Sextet: Live in Paris’ was a record that couldn’t help but matter.

To call this the most successful melding of New Orleans-style rag with hard Chicago blues presupposes that there ever was one before. Eurreal “Little Brother” Montgomery, as was his way, tills up new earth here, and with remarkable results. A stride pianist of great wit and power, Montgomery had theRead More

‘Dedications and Inspirations’ fully confirms the high praise of former bandmate Sonny Rollins, who once called Jim Hall “the greatest guitarist in jazz.”