Cannonball Adderley, ‘Walk Tall’ (1969): One Track Mind
Urged on by a buoyant audience, Cannonball Adderley’s “Walk Tall” becomes both a call to action and a celebration of spirit.
Urged on by a buoyant audience, Cannonball Adderley’s “Walk Tall” becomes both a call to action and a celebration of spirit.

Missing in the eternal argument embodied in their 1970s lyric — Which one’s Pink? — was my idea that it was neither Roger Waters nor David Gilmour. Maybe there would have been no Pink Floyd, not really, without Richard Wright. That’s what I hear in “Live at Gdansk” with GilmourRead More

R.L. Burnside’s ‘First Recordings’ was the result of a neighbor’s recommendation: “I know who that be.”

We think of him as a famous jazz guy. But those who knew Charlie Haden as a child remember him as a bluegrass prodigy in a traveling musical group of relatives.

NICK DERISO: While Rubalcaba was making troubling (if not downright boneheaded) political decisions, he was also proving to be an inspiring (and sometimes downright thrilling) young pianist. Not long after Rubalcaba said the crippling Communist regime in his native Cuba wasn’t all that bad, after all — much to theRead More

Remembering Pink Floyd’s often-overlooked co-founding keyboardist Richard Wright.
In the end, too-soon-gone Louisiana bluesman John Campbell boasted a short, stormy, and now storied career.

Lodged toward the end of a nostalgic song cycle that attempts (with varying degrees of success) to recreate the soaring pop music of his California youth, Brian Wilson offers a moment of naked, welcome honesty. On “Midnight’s Another Day,” away from the florid orchestrations and dense backing vocals associated withRead More

NICK DERISO: One of Shirley Brown’s early hits was called “Love is Built on a Strong Foundation,” produced by Oliver Sain for the Abet label. Same with her career. Born in West Memphis, Ark., Brown started like so many great sizzling soul singers do – in church. Not until herRead More

NICK DERISO: Recorded live at Montreal’s Rising Sun Club in January 1977, and later reissued by Just a Memory Records in ’99, “Hoochie Coochie Man” stands as one of the last testaments to the Gospel of Muddy. He was the bridge between country and city cool, an urban griot withRead More