by Nick DeRiso More musical journey than greatest hits, per se, “Let It Roll” is a primer on George Harrison for those who never got past his time with Beatles — and yet a still-intriguing way to reexperience some of his best solo cuts for those who followed along afterRead More

Bill Champlin has a face to match his voice — rugged and sharp-edged, a great gravelly visage.

A tucked-away treasure, the Meters never found their own fame like Booker T. and the MGs. No matter. Let it be our secret. Our funky, funky secret.

Koko Taylor, a sharecropper’s daughter, crafted a five-decade hall of fame career that eventually earned her the nickname “Queen of the Blues.”

by Nick DeRiso From the South, but not really, Diana Jones sings with an unforgettable, old-time lonesomeness — like a late-arriving featured act at an old Carter Family jubilee. She then expands on the familiar bluegrass vocabulary with a character-driven, literary touch, nowhere to better effect than on the newRead More

by Nick DeRiso  Sammy Kershaw has always come off as a working-man’s country star. It’s no put on. He arrived for a scheduled interview having just finished mowing his own grass, weed eating and all. “I love physical work,” says Kershaw, a Louisiana-born son of a farmer, a former WalRead More

by Nick DeRiso  This is an updated excerpt from a multi-artist piece I had published as part of the statewide Louisiana Folklife Festival’s program book in 1995. Born in 1904, Thomas Edison “Brownie” Ford would travel all over the Deep South — working as a ballad singer, bronc buster, storytellerRead More

“The Tony Bennett/Bill Evans Album” remains, for me, one of the three or four most engrossing vocal jazz recordings — along with Sinatra’s Jobim collaboration, Ella performing with Satchmo and Nat “King” Cole’s “After Midnight.” But what made the initial Bennett/Evans project, and its follow up — 1976’s “Together Again”Read More

The frontman from ? and the Mysterians once said that voices from the future told him they would still be playing “96 Tears” in the year 10,000. So far, so good.

“Live at Montreux,” which focuses on tunes from Wayne Shorter’s then-new album “High Life,” might have been just another night in a lifetime of concert dates — if not for the former Miles Davis sideman’s still prodigious, almost hypnotic ability on the sax. That, and some bonus cuts from MontreuxRead More