by Nick DeRiso It takes a complex, genre-bending singer to fend off the distracting brilliance of fabled guitar-playing Danny Gatton. Maine-based Steve Erwin, who made his name playing around Washington, D.C., pulls it off on the newly re-released Was It Like This. Originally recorded in December 1988 with Gatton, theRead More

by Nick DeRiso While much of Tony Joe White’s new recording “The Shine” feels so bare-bones as to be undercooked, the muscular “Tell Me Why” bubbles up with the rough moral drama of a storyteller’s yarn. Still standing, despite years unjustly spent outside fame’s spotlight, White hasn’t stopped believing inRead More

by Nick DeRiso Voyage d’armour, French-born Danick Isabelle Jawer’s thrillingly intricate new collaboration with Amitie, captures the affection, the sorrow and the music of a relationship – whether the listener speaks her native tongue or not. That’s thanks in no small way to Amitie (“friendship” in French), a trio fromRead More

Photograph by Amy Dey by Nick DeRiso A radiant uncertainty runs through “Maybe,” Emily Hearn’s song about the confusion and memorable pain of a lonely young heart. OK, there’s a girl, and there’s a guy, and the guy won’t give her the time of day. This, we’ve heard before. ButRead More

by Nick DeRiso Mark “Pocket” Goldberg’s Off the Alleyway, a rootsy Americana recording with the flickering neon-soul of a blues joint, stays well away from the beaten path. His sound is as eclectic as the country’s rolling byways, bringing in low-country pedal steel, back-pew harmonizing, the nostalgic wheeze of anRead More

Densely layered, with an elegant construction, Black Dub doesn’t start out all that much differently from your average recording by uber-hip producer Daniel Lanois. Then something welcomely dangerous, almost feral, happens. Lanois — famous for his work with U2, Bob Dylan and Peter Gabriel, among others — is the firstRead More

by Nick DeRiso News this week that Buddy Guy had been Grammy nominated for best contemporary blues album had me revisiting the scalding blisses of Living Proof. I loved it from the first solo, this sharp outburst of gnarled sexuality on “74 Years Young”: “There ain’t nothing I haven’t done,”Read More

by Nick DeRiso The worry, with any rock-guitar virtuoso’s recording, is that it will quickly devolve into onanistic noodling. But Tony Savarino’s Guitaring adroitly sidesteps the problem with a keen eye for variety, and a welcome sense of unselfishness in the studio. The Boston-bred musician is a dabbler, with aRead More

By Nick DeRiso At once neo-renaissance, new age and something akin to blissed-out bluegrass, Erwilian’s holiday-themed concert recording Midwinter’s Night neatly sidesteps the pre-conceived notion of sickly sweet Yuletide fare. Midwinter’s Night, instead, is a concert souvenir from warm night of remembrance, affection and camaraderie – sparked by these friendly-as-familyRead More

by Nick DeRiso A group of cross-country friends with day jobs got together to produce Rochester Express, this chummy, Woody Herman-style amalgam of galloping jazz joys. By day, the members of Rochester, Minnesota-based TakeTwo work as a cardiovascular surgeon, a respiratory therapist, and an IBM engineer. In this two dayRead More