by Nick DeRiso Let’s get this admission out of the way: Picking the best of 2010’s unsigned treasures is like trying to determine your favorite grain of sand. There are far too many, really, to make any reasonable guess — and the whole time you’re walking around with a bucketRead More
by Nick DeRiso Taking on Nina Simone, a singer of dusky persuasiveness, might be foolhardy enough. Remaking this song, a Top 20 pop hit off Simone’s celebrated 1958 debut Little Girl Blue seemed like the worst idea of all. But Canadian singer Kellylee Evans finds a new light, even ifRead More
by Something Else Reviews Over the last few weeks, this merry band of music lovers has offered its varied take on the Year That Was. Now, we winnow it all down. First to go were the personal obsessions (Mark: Mary Halvorson; Pico: Greg Ward’s Fitted Shards), and other worthy entriesRead More
by Nick DeRiso Miles Ahead was initially billed by Columbia Records, in the flatly obvious tone of the day, as “Miles Davis plus 19, with Gil Evans.” Right. Still, it was that last guy, the 20th man, who was the important one. After a burst of creativity in the lateRead More
by Nick DeRiso Emory Quinn doesn’t quibble about genre. Heck, this happy-go-lucky San Antonio, Texas-based band can’t even stick to one instrument, with its principal members merrily switching from one to another. That makes for a nice metaphor on See You At The Next Light, an album of restless musicalRead More
by Nick DeRiso For me, the traditional year-ending Top 10 list has a more utilitarian standard: Which albums did I add to my permanent rotation? See, it’s the rarest of rare items that actually becomes a member of the collection. That’s the kind of standout recording we’ll be talking aboutRead More
by Nick DeRiso Erik Hartley can’t decide about things, and that uncertainty creates an interesting tension on the new EP Not Me Being Nervous. The in-joke ends up being that he’s anything but “not nervous.” Hartley, instead, couldn’t be less settled, with looming questions about girls, about life, about gettingRead More
by Nick DeRiso On Triangulation, Boston-based guitarist Mitch Seidman has complete command of both the bebop R&B fission and the gentlemanly poise of early idol Kenny Burrell. That means tunes of lyrical strength and technical skill, linked by this remarkable ability to blend seamlessly with his fellow musicians across aRead More
Photograph by Clayton Bozard by Nick DeRiso Haley Dreis likes to fiddle with expectations. You wouldn’t expect a classically trained violinist to dabble in pop music. And you wouldn’t expect the self-confident nuance of “All For You” from someone who only began writing mainstream songs three years ago. Yet sheRead More
Lucinda Williams brings a brave, riveting vulnerability to Essence — and, for me, it’s her masterpiece. Yet you are more apt to find it in the cutout bin at a big-box department store than at the top of most people’s desert-island lists. Perhaps the sensual melancholy of Essence was tooRead More
