After a difficult bout with respiratory problems, Jon Anderson has returned with a furious creativity

We find no uncluttered answers on Tom Levin’s sumptuous, vaguely fatalistic Tooth and Claw. In fact, oftentimes the questions themselves for this former New Music Weekly Awards AC male artist of the year are almost unbearable. You May Also Like: No related posts.

Paul Simon’s new record, his first since 2006’s dense Brian Eno-collaboration Surprise, is a career-spanning, sometimes duskily ruminative, quirk-splashed triumph — simultaneously bold in its constructions and timeless in its themes. You May Also Like: How ‘Paul Simon’ Set the Template for a Career of Dizzying Musical Exploration

Karl Grambo and the Roadhouse Redeemers have a rollicking, greasy good time on Bedrooms, Bars and Bibles. The only complaint is that the party, which clocks in at just eight songs, ends so quickly. Grambo opens with “I Was There,” featuring this grinding, grumpy riff and a gravelly, insistent voiceRead More

Emerson Lake and Palmer somehow went from selling 40 million records to becoming one of rock’s more reviled bands – all in the space of a single decade.

On this special edition of Something Else! Reviews’ One Track Mind, we hand the reins over to Orrin Evans You May Also Like: Bill Evans – Another Time: The Hilversum Concert (2017)

Orrin Evans arrived amidst a wave of new jazz performers in the early 1990s. Unlike many of those young lions, however, he managed to bob up from that era’s ultimately empty retro-conservatism. You May Also Like: Johannes Wallmann, jazz pianist and bandleader: Something Else! Interview Bill Evans – Time Remembered,Read More

“In the darkness,” Jon Anderson sings on this haunting track, “there is always a song for you.” His road back to us has been dark, indeed You May Also Like: Jon Anderson, of Yes and Anderson Rabin Wakeman: Something Else! Interview The Solo Song Where Jon Anderson Finally Reclaimed HisRead More

Drew Paralic is that most unusual of things, a jazz pianist and composer who has released an album of originals played by others. Having taken up the instrument too late, he says, to approach the mastery of deeply appreciated influences like Bill Evans and Thelonious Monk, Paralic instead decided toRead More

There is a magic in the old songs, but not necessarily in performing them in the old ways. You May Also Like: Yves Leveille – ‘L’echelle du Temps’ (2022) ElectroBluesSociety Featuring Boo Boo Davis – ‘Chicago Blues Covers’ EP (2020)